Covered Jug thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 120, The Wolfson Galleries

Covered Jug

1830-1850 (made)
Artist/Maker
Place of origin

Object Type
The simple 'Dutch' jug shape was introduced early in the 19th century and soon became the most favoured amongst pottery and porcelain manufacturers. Graduated sets of three also became traditional, although this example, with its unusual lid and very high quality applied decoration, was probably marketed as a single jug, perhaps for serving beer or punch.

Trading
The Ridgway firm was one of those versatile family potteries that rose rapidly to prominence after the perfection of bone china around 1800. Following the recent concentrated period of industrialisation, including huge improvements to the canal system, pioneered by Josiah Wedgwood, good money was to be made. Although some potters such as Enoch Wood accumulated great wealth by mass-producing ordinary pottery for export, others like Ridgway, Spode and Davenport made both pottery and porcelain of the highest quality and had the confidence to mark their products.

Materials & Making
Ceramics with surprising ground colours were popular during the Regency period: as well as many shades of blue there was mint green, purplish red, ginger and a drab yellow. The ability of stoneware clays to be stained, to show off sharply-moulded applied ornament without any obscuring glaze, and to survive rough handling, was a winning combination. As their popularity grew, so variety increased and quality declined: from about 1830 fully-moulded stoneware jugs were mass-produced in Staffordshire and elsewhere.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Jug
  • Cover
Materials and techniques
Drab stoneware, thrown and turned, with applied moulded decoration
Dimensions
  • Height: 18.5cm
  • Including spout width: 19.3cm
  • Excluding spout diameter: 13.5cm
Dimensions checked: Measured; 23/12/1998 by SF
Marks and inscriptions
Impressed mark: 'Ridgway'. The impressed mark is one thought to have been used after the death of Job Ridgway in 1813.
Gallery label
  • British Galleries: Many smaller firms, like the larger, well-known manufacturers, used prints as sources for decoration. They produced relatively cheap wares in the fashionable Classical style. The decorative frieze on the side of this jug is copied from a Classical design in 'Etchings representing the Best Examples of Ancient Ornamental Architecture', published by C.H. Tatham, in 1803.(27/03/2003)
  • Jug and cover made at the factory of Ridgway, Shelton, Staffordshire, about 1810-20 Mark: 'RIDGWAY', impressed Stoneware 34&A-1904 Given by Mr C. B. Farmer(23/05/2008)
Credit line
Given by C. B. Farmer
Object history
Probably made by J&W Ridgway of Cauldon Place, Shelton, Staffordshire
Summary
Object Type
The simple 'Dutch' jug shape was introduced early in the 19th century and soon became the most favoured amongst pottery and porcelain manufacturers. Graduated sets of three also became traditional, although this example, with its unusual lid and very high quality applied decoration, was probably marketed as a single jug, perhaps for serving beer or punch.

Trading
The Ridgway firm was one of those versatile family potteries that rose rapidly to prominence after the perfection of bone china around 1800. Following the recent concentrated period of industrialisation, including huge improvements to the canal system, pioneered by Josiah Wedgwood, good money was to be made. Although some potters such as Enoch Wood accumulated great wealth by mass-producing ordinary pottery for export, others like Ridgway, Spode and Davenport made both pottery and porcelain of the highest quality and had the confidence to mark their products.

Materials & Making
Ceramics with surprising ground colours were popular during the Regency period: as well as many shades of blue there was mint green, purplish red, ginger and a drab yellow. The ability of stoneware clays to be stained, to show off sharply-moulded applied ornament without any obscuring glaze, and to survive rough handling, was a winning combination. As their popularity grew, so variety increased and quality declined: from about 1830 fully-moulded stoneware jugs were mass-produced in Staffordshire and elsewhere.
Collection
Accession number
34&A-1904

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Record createdMarch 27, 2003
Record URL
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