Please complete the form to email this item.

Call, I Follow, I Follow, Let Me Die!; Portrait of Mary Hillier

  • Object:

    Photograph

  • Place of origin:

    Isle of Wight, England (photographed)

  • Date:

    1867 (photographed)
    after 1867 (printed)
    1870-75 (printed)

  • Artist/Maker:

    Julia Margaret Cameron, born 1815 - died 1879 (photographer)

  • Materials and Techniques:

    Carbon print from copy negative

  • Credit Line:

    Gift of Miss Perrin, 1939

  • Museum number:

    15-1939

  • Gallery location:

    Prints & Drawings Study Room, level C, case TECHS

  • Download image

Object Type
This photograph was produced by Julia Margaret Cameron (1815-1879) as a work of fine art to be shown in the context of a museum or gallery. It was not intended for mass reproduction, or as a portrait of the sitter, but as an artistic expression in its own right.

People
Although posed as a tragic heroine from Arthurian legend, in reality the model, Mary Ann Hillier, was employed as Cameron's parlour maid.

Subjects Depicted
Cameron concentrates upon the head of the woman by using a darkened background and draping the figure in simple dark cloth. The lack of surrounding detail or context obscures references to narrative, identity or historical context. You are left to focus on the expression of the sitter. The mood implied is one of melancholy, suffering and abandon. Yet the flowing hair, lightly parted lips and exposed neck also suggest sensuality. Cameron sometimes called this photograph 'Call, I follow, I follow, let me die!. The title, taken from a line in the poem 'Lancelot and Elaine' from Alfred, Lord Tennyson's 'Idylls of the King', transforms the subject into a tragic heroine.

Physical description

Photograph of a woman (Mary Hiller) in profile with long flowing hair.

Place of Origin

Isle of Wight, England (photographed)

Date

1867 (photographed)
after 1867 (printed)
1870-75 (printed)

Artist/maker

Julia Margaret Cameron, born 1815 - died 1879 (photographer)

Materials and Techniques

Carbon print from copy negative

Dimensions

Height: 35 cm image, Width: 26.7 cm image, Height: 404 mm green card, Width: 320 mm green card

Object history note

Gift of Miss Perrin, 1939

Descriptive line

Photograph by Julia Margaret Cameron, 'Call I Follow, I Follow, Let Me Die' (sitter Mary Hillier), carbon print, 1867

Bibliographic References (Citation, Note/Abstract, NAL no)

Mikael Ahlund, ed, including an essay by Martin Barnes, The Pre-Raphaelites Stockholm: Nationalmuseum, 2009. ISBN: 978-91-7100-809-1.
Exhibition catalogue

Exhibition History

The Cult of Beauty: The Aesthetic Movement 1860-1900 (Fine Arts Museums of San Francisco 18/02/2012-17/07/2012)
The Cult of Beauty: The Aesthetic Movement 1860-1900 (Musée d'Orsay 13/09/2011-15/01/2012)
The Cult of Beauty: The Aesthetic Movement 1860-1900 (Victoria and Albert Museum 02/04/2011-17/07/2011)
The Pre-Raphaelites: Dream and Reality in 19th Century Britain (Nationalmuseum, Stockholm 26/02/2009-24/05/2009)

Labels and date

British Galleries:
In this mystical, dramatically-charged portrait, Mary Ann Hillier, a parlourmaid in the Cameron household, represents Elaine, the tragic heroine of Arthurian legend. The title comes from Tennyson's poem 'Idylls of the King'. The pioneering photography of Julia Margaret Cameron reflects the Aesthetic idea of 'art for art's sake' , that is, beauty as the only real purpose of a work of art. [27/03/2003]

Materials

Photographic paper

Techniques

Carbon process

Subjects depicted

Women; Portraits; Hillier, Mary Ann; Profiles (figures); Tragedy; Representation; Elaine

Categories

Portraits; Photographs

Collection code

PDP

Download image
Qr_O77428
Ajax-loader