Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 58b

Grille

1480-1500 (made)
Artist/Maker
Place of origin

Object Type
This grille, also known as a vizzy or a guichet, is made from wrought iron. It resembles wattle work (rods on stakes interwoven with twigs or tree branches). Ironwork of this kind was often used in churches. This particular piece may have formed part of a confessional, an enclosure in which members of the congregation confessed their sins to a priest.

Technique
The technique of creating wrought iron to look like wattle was not well known in England. Examples of a similar style and date can be seen at the H“tel de Ville, Louvain, Belgium, and at the Great Church, Breda, The Netherlands.

People & Places
This grille may be from St George's Chapel, Windsor, Berkshire. The chapel was built by Edward IV (ruled 1461-1470, 1471-1483) in the last years of his reign. The coat of arms on the grille includes the cross of St George, patron saint of England. Several stylistic details are also close to surviving ironwork at Windsor. The gates of Edward IV's chantry chapel (a chapel endowed for the saying of masses for the founder's soul) form one of the most impressive pieces of 15th-century ironwork in Europe. There are also several examples of quality ironwork from the chapel. Several of these are thought to have been made either by John Tresilian of London or by a blacksmith from, or trained in, The Netherlands.


Object details

Categories
Object type
Materials and techniques
Wrought iron
Brief description
Grille (view through grille), wrought iron, with decorative coat of arms incorporating the cross of St George, made in England, 1480 - 1500
Physical description
Vizzy or peep-hole for a door designed like a fantastic piece of miniature architecture. It is divided into three panels: one across the lower part and two narrower panels across the top. The lower panel is backed by a light quatrefoil tracery in front of which are five moulded pilasters. These are linked together half-way up by wattlework and end in crocketed finials. The upper panels are designed as two lancets with crocketed finials. They are filled with delicate reticulated tracery. The space above the lancets is also filled with flamboyant tracery. Across the central mullion is a shield with a cross on it. The lower frame of the vizzy is bordered by a cable pattern. The upper frame has a cable moulding, panel of mouchettes, a pelleted moulding and is topped by crenellations.
Dimensions
  • Height: 43.5cm
  • Top, maximum width: 22.8cm
  • Bottom width: 21.3cm
  • Maximum depth: 5cm
  • Top depth: 3cm
Dimensions checked: Measured; 03/09/1999 by DW
Gallery label
  • British Galleries: This virtuoso ironwork grille or pierced screen may have come from a confessional, an enclosed space in a church where Catholics confessed their sins to the priest. This one shows the cross of St George, and there is ironwork with similar details at St George's Chapel, Windsor, from which this may have come. The naturalistic wattle work imitates a fence of woven boughs or twigs. It was unusual in England but is similar to decoration produced in 15th-century Flanders (now parts of Belgium and the Netherlands).(27/03/2003)
  • GRILLE Wrought iron England; late 15th century 138-1889 From a Confessional (Registers).(07/1994)
Subjects depicted
Summary
Object Type
This grille, also known as a vizzy or a guichet, is made from wrought iron. It resembles wattle work (rods on stakes interwoven with twigs or tree branches). Ironwork of this kind was often used in churches. This particular piece may have formed part of a confessional, an enclosure in which members of the congregation confessed their sins to a priest.

Technique
The technique of creating wrought iron to look like wattle was not well known in England. Examples of a similar style and date can be seen at the H“tel de Ville, Louvain, Belgium, and at the Great Church, Breda, The Netherlands.

People & Places
This grille may be from St George's Chapel, Windsor, Berkshire. The chapel was built by Edward IV (ruled 1461-1470, 1471-1483) in the last years of his reign. The coat of arms on the grille includes the cross of St George, patron saint of England. Several stylistic details are also close to surviving ironwork at Windsor. The gates of Edward IV's chantry chapel (a chapel endowed for the saying of masses for the founder's soul) form one of the most impressive pieces of 15th-century ironwork in Europe. There are also several examples of quality ironwork from the chapel. Several of these are thought to have been made either by John Tresilian of London or by a blacksmith from, or trained in, The Netherlands.
Bibliographic references
  • Griggs, W. Iron work : 53 plates, from objects and drawings in the South Kensington Museum, reproduced by W. Griggs. London : W. Griggs & Sons Ltd., 1898. Pl.20
  • Encyclopaedia of Ironwork: Examples of hand wrought iron from the Middle Ages to the end of the Eighteenth century. 1927. Pl.30.
  • Höver, Otto. Das Eisenwerk: Die Kunstformen des Schmiedeeisens vom Mittelalter bis zum ausgang des 18 Jahrhunderts. Tubingen, 1961.
  • Orme, Nicholas. Going to Church in Medieval England. (Yale University Press, 2022)
  • Saul, N., & Tatton-Brown, T. W. T. (Eds.). St. George's chapel, Windsor: history and heritage. (Dovecote Press, 2010)
  • Northampton, W. G. S. S. C. Compton Wynyates. (A.L. Humphreys, 1904)
  • Compton Wynyates: otherwise called Compton-in-the Hole. (England, 197?)
  • Geddes, Jane. Medieval Decorative Ironwork in England. (The Society of Antiquaries of London, 1999)
  • Gardner, J. Starkie. Ironwork. Part I. From the earliest times to the end of the mediaeval period. Victoria and Albert Museum. (London, Printed under the Authority of His Majesty’s Stationery Office, 1914)
  • Geerlings GK. Wrought Iron in Architecture : An Illustrated Survey. (New York: Dover Publications; 1983)
Collection
Accession number
138-1889

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Record createdMarch 27, 2003
Record URL
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