Object Type
This substantial vase and cover were made specifically for an international exhibition to demonstrate the technical and artistic superiority of their makers, Minton & Co. of Stoke-on-Trent. Objects of this size were acquired by public collections such as this Museum or by the most ambitious collectors with the grandest houses in which to display them.
Historical Association
This vase is one of two made for the Paris Exhibition of 1867, each painted with a different scene. This was the first showing of the model, and both examples were bought for the Museum. Still further variations were exhibited at the Paris Exhibition of 1878, where it was described as 'one of the noblest pieces ever produced'.
People
The modeller of this vase was Victor Simyan (sometimes spelt Simian), a French sculptor who moved to Britain in about 1860. He founded his own workshop and designed for the pottery industry. His compatriot Léon Arnoux (1816-1902) had been art director at Minton's since 1849. The painter, Thomas Allen, was a local artist. As an apprentice at Minton's he studied at the Stoke-on-Trent School of Design from 1849. In 1852 he became one of the first students to be awarded a National Art Training Scholarship to the School of Design at Somerset House (the forerunner of the South Kensington Museum, later the V&A). He stayed with Minton's until 1875, when he left to join Wedgwood as chief designer.
Physical description
Vase and cover, earthenware, painted, with coloured glazes.
Place of Origin
Stoke-on-Trent, England (made)
Date
1867 (made)
Artist/maker
Simyan, Victor Etienne, born 1826 - died 1886 (designer)
Allen, Thomas, born 1831 - died 1915 (painter (artist))
Minton & Co. (maker)
Materials and Techniques
Earthenware, painted in enamels and majolica glazes
Dimensions
Height: 121.9 cm, Width: 54.6 cm, Depth: 29.2 cm
Object history note
Designed and modelled by Victor Etienne Simyan (born in Saint-Gangoux-le-Royal, France, 1826, died in 1886); painted by Thomas Allen (born in Stoke-on-Trent, Staffordshire 1831, died in 1915); made by Minton & Co., Stoke-on-Trent, Staffordshire
Shown at the Paris International Exhibition of 1867
Exhibited by Minton at the Paris Exhibition of 1867. The painter Thomas Allen, worked for Minton from 1854 to 1875 and subsequently for the firm of Wedgwood. It is decorated in imitation of maiolica though the base is decorated with snakes in the manner of the 16th century French ceramicist, Bernard Palissy. The scenes on the bowl of the vase are taken from prints after works by the Rubens, The Calydonaian Boar Hunt, of which the original painting is now lost, and a second Boar Hunt, now in Marseilles. This vase and its companion took their name however from the cover, where Prometheus is having removed by an eagle, a punishment he was set by Zeus for stealing fire from the gods and bringing it back to earth. The vase is thus a typical 19th century virtuoso piece in its command of technique and visual scenes.
Descriptive line
Prometheus or Captive vase, earthenware, painted, with coloured glazes modelled by Victor Simyan, painted by Thomas Allen at the Minton Factory, England, 1867
Exhibition History
A Grand Design - The Art of the Victoria and Albert Museum (Victoria and Albert Museum 12/10/1999-16/01/2000)
Labels and date
British Galleries:
The painted decoration of this vase imitates maiolica (tin-glazed earthenware) and draws on a mixture of design sources from Italy, France and Flanders (now Belgium). The body of the base is painted with scenes of a boar hunt, based on prints by the artist Peter Paul Rubens (1577-1640). The captive warriors, who include the mythical figure of Prometheus on the lid, are based on 16th-century Italian models from Florence. The snakes are in the style of the 16th-century French ceramicist, Bernard Palissy (1510-1590). [27/03/2003]
Subjects depicted
Men; Figures; Landscapes; Horses; Hunting; Mythology; Dogs (animals); Eagles; Hunters; Spears; Wild boar; Bows; Prometheus
Categories
Ceramics; Earthenware; Vases
Collection code
CER
