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Request to view at the Prints & Drawings Study Room, level F , Case EDUC, Shelf 9, Box D

Engraving

c. 1590-1623 (designed), late 19th century - 1911 (printed)
Artist/Maker
Place of origin

This engraving is known as ‘blackwork’ and comes from the German word Scharzornament. It is thought to be connected to the fashion for making champlevé enamelled jewellery and involved a similar technique, using a tool to gouge out the metal. Just as enamelling was used to ornament jewellery, this metal plate features ornament for two ring shoulders, a box lid, stone setting above and a ring setting below.
Printmaking often developed in the workshops of metalworkers. Line engraving developed in the workshops of silversmiths or goldsmiths, while etching developed in armourers’ workshops.


Object details

Categories
Object type
Materials and techniques
Blackwork engraving
Brief description
Engraving, blackwork (niello). Modern impression taken from original copper printing plate ca. 1590-1623 engraved with ornamental design.
Physical description
Design featuring ornament for two ring shoulders, a box lid, stone setting above and a ring setting below.
Dimensions
  • Height: 99mm
  • Width: 127mm
Marks and inscriptions
Inscribed in pen and ink, lower centre: 'New impression of a plate in my collection/ Max Rosenheim'
Object history
This print and printing plate were acquired from the Rosenheim collection sale in 1923 and at the time were attributed by the museum to Hurtu. This attribution was undoubtedly suggested by the lot description in the Rosenheim sale catalogue (7th-8th May 1923) in which they are described as being in the 'style of Hurtu'. However, there seems little to substantiate this; the composition departs quite radically from the rest of Hurtu's oeuvre, whose designs are typically more elaborate and feature conventionally engraved details alongside central blackwork engraved motifs. This composition more strongly ressembles the blackwork prints of Adriaen Collaert.

Subject depicted
Summary
This engraving is known as ‘blackwork’ and comes from the German word Scharzornament. It is thought to be connected to the fashion for making champlevé enamelled jewellery and involved a similar technique, using a tool to gouge out the metal. Just as enamelling was used to ornament jewellery, this metal plate features ornament for two ring shoulders, a box lid, stone setting above and a ring setting below.
Printmaking often developed in the workshops of metalworkers. Line engraving developed in the workshops of silversmiths or goldsmiths, while etching developed in armourers’ workshops.
Associated object
E.1343-1923 (Original)
Bibliographic references
  • '185. Original Copper Plate, Style of Hurtu, c. 1620, with a modern impression' Rosenheim collections: engraved ornament including goldsmith's work, jewellery, furniture, architecture, interior decoration, book ornament, writing books, Sotheby's (London), May 7 and 8, 1923, p. 25, lot 185.
  • Christie, R., 'Blackwork Prints. Designs for Enamelling', Print Quarterly, Vol. V, No. 1, 1988:3-19 (illus. fig. 22).
Collection
Accession number
E.1343A-1923

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Record createdJune 30, 2009
Record URL
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