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The Miraculous Draught of Fishes

Woodcut
1518 (made), 1609 (printed)
Artist/Maker
Place of origin

This image represents the earlier of the two Miraculous Draughts of Fishes mentioned in the bible. Christ, Peter and another disciple sit in Peter's boat, which is full of fish. In a second boat are three more disciples pulling in their net. The boats are low in the lake because of the large haul of fish.

The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques.

This print is thought by some writers to be based on a drawing in the Royal Collection which is by Raphael's pupil Gionvanni Francesco Penni. Some of the details which form such a striking part of the Cartoon such as the fish in the boats and the birds in the foreground are absent in both the drawing and the print. Andrea Andreani who reissued this print in 1609, must have got hold of the original blocks and added Raphael's name, and his own monogram and city of residence, to the image.

Object details

Categories
Object type
Titles
  • The Miraculous Draught of Fishes (popular title)
  • Raphael Cartoons (generic title)
Materials and techniques
chiaroscuro woodcut from three blocks
Brief description
The Miraculous Draught of Fishes by Ugo da Carpi (ca 1480-?1532); reissued by Andrea Adreani; from a design by Raphael for the tapestries in the Sistine Chapel; chiaroscuro woodcut from three blocks; 1518, re-issue 1609.
Physical description
Christ sits in Peter's fishing boat on the far right of the image. This boat sits lower on the lake because it is supposed to be overloaded with fish. In the other boat the three men struggle to gather their net.

The centre of the image depicts a lake with two fishing boats, each with three men, one boat still hauling up a net. In the background to the left is a landscape with small groups of people on the shore, to whom Christ had just been preaching. Colours are beige (main background), green shadows and black lines, with paper forming white highlights.

This print is in reverse of Raphael's Cartoon fo the subject and is a simplified version of the original, without the buildings on the far bank, and without the birds and fish.
Dimensions
  • Trimmed height: 24.5cm
  • Trimmed width: 35.4cm
Style
Marks and inscriptions
RAPHEL VRB. / INVEN / AA / In mantoua / 1609 (in box lower left corner, AA being a monogram)
Gallery label
(1995)
This print is thought by some writers to be based on a drawing in the Royal Collection which is by Raphael's pupil Gionvanni Francesco Penni. Some of the details which form such a striking part of the Cartoon such as the fish in the boats and the birds in the foreground are absent in both the drawing and the print. Andrea Andreani who reissued this print in 1609, must have got hold of the original blocks and added Raphael's name, and his own monogram and city of residence, to the image.
Production
Second state - ie reissue from the original blocks by Andrea Andreani in 1609; the original was printed in 1518
Subjects depicted
Literary referenceBible, Luke, 5
Summary
This image represents the earlier of the two Miraculous Draughts of Fishes mentioned in the bible. Christ, Peter and another disciple sit in Peter's boat, which is full of fish. In a second boat are three more disciples pulling in their net. The boats are low in the lake because of the large haul of fish.

The so-called Raphael Cartoons are seven full size designs for tapestries by the great Italian Renaissance artist Raphael (1483-1520). They illustrate passages from the Bible concerning the lives of Saint Peter and Saint Paul. None of them is smaller than ten feet high by thirteen feet wide. They belong to Her Majesty the Queen and have been on loan to this museum since 1865. The earliest print relating to the Raphael Cartoons dates from 1516, the year in which Raphael received final payment for the commission. It inaugurates an extraordinary case study in the history of printmaking, stretching over more than four hundred and fifty years and across a wide range of printmaking techniques.

This print is thought by some writers to be based on a drawing in the Royal Collection which is by Raphael's pupil Gionvanni Francesco Penni. Some of the details which form such a striking part of the Cartoon such as the fish in the boats and the birds in the foreground are absent in both the drawing and the print. Andrea Andreani who reissued this print in 1609, must have got hold of the original blocks and added Raphael's name, and his own monogram and city of residence, to the image.
Associated objects
Bibliographic references
  • Gilpin, William. An Essay Upon Prints., 1768, p. 29-30.
  • Bartsch, Adam von. Peintre-Graveur, 1808-1821, Vol. XII.
  • Strauss, Walter L. Illustrated Bartsch, 1978-, Vol. 1.
  • Miller, Liz. 'From Marcantonio Raimondi to the Postcard: Prints of the Raphael Cartoons'. Display leaflet, 1995.
  • Shearman, John. Raphael's Cartoons in the collection of Her Majesty the Queen and the tapestries for the Sistine Chapel. London, Phaidon, 1972.
  • Fermor, Sharon. The Raphael Tapestry Cartoons: Narrative, Decoration, Design. London, Scala Books in association with the Victoria and Albery Museum.
Other number
13 - Le Peintre-Graveur
Collection
Accession number
E.493-1925

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Record createdJune 30, 2009
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