Not currently on display at the V&A

Benares (varanasi)

Painting
1856 (painted)
Artist/Maker
Place of origin

William Carpenter was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and of William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum. In early 1850 he set off in the footsteps of his younger brother Percy, also an artist, and landed in Bombay. He spent much of his time painting portraits of local rulers and the surrounding countryside, often wearing Indian dress himself. He travelled widely, from Sri Lanka in the south to Kashmir in the north, and he also spent some time in the Punjab and Afghanistan before moving south to Rajasthan. He appears to have returned to England in 1856. Ten years later he was living in Boston, USA, but he later returned to London, where he died in 1899. Carpenter's Indian pictures display a particular interest in costume, agriculture, and the day-to-day lives of the local inhabitants. This is a view of the ‘ghats’ or bathing places below Aurangzeb's mosque at the city of Benares (now Varanasi) as seen from the River Ganges, with pilgrims bathing and praying.


Object details

Categories
Object type
TitleBenares (varanasi) (generic title)
Materials and techniques
Watercolour on paper
Brief description
Painting of Benares on the banks of the Ganges, by William Carpenter, watercolour on paper, India, 1856
Physical description
View of river bank at Benares (modern Varanasi) on the Ganges.
Dimensions
  • Height: 26cm
  • Width: 36.5cm
Credit line
Museum numbers IS.33-1888 to IS.166-1888 purchased from Mr. Carpenter for £500
Object history
Historical significance: William Carpenter (1818-99)

William Carpenter was trained at the Royal Academy Schools, and was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum.

He was in India from 1850 t0 1856, during which time he travelled extensively from Bombay (Mumbai) and across western India to Rajasthan, Delhi, Kashmir, Lahore and Afghanistan. His depiction of every day street scenes and groups of people is remarkably accurate and animated, his portraits vividly capturing the character of his sitters and the glowing effects of sunlight as cityscapes and architectural monuments. Brilliantly executed in a range of warm colours, his watercolours evoke a gentle romanticism.

After his return to England, The Illustrated London News published some of his watercolours. In 1881, he exhibited 275 of his paintings in a one-man show in the South Kensington Museum, London. This entire collection was subsequently acquired by the V&A.

Museum numbers IS.33-1888 to IS.166-1888 purchased from Mr. Carpenter for £500. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.
Summary
William Carpenter was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and of William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum. In early 1850 he set off in the footsteps of his younger brother Percy, also an artist, and landed in Bombay. He spent much of his time painting portraits of local rulers and the surrounding countryside, often wearing Indian dress himself. He travelled widely, from Sri Lanka in the south to Kashmir in the north, and he also spent some time in the Punjab and Afghanistan before moving south to Rajasthan. He appears to have returned to England in 1856. Ten years later he was living in Boston, USA, but he later returned to London, where he died in 1899. Carpenter's Indian pictures display a particular interest in costume, agriculture, and the day-to-day lives of the local inhabitants. This is a view of the ‘ghats’ or bathing places below Aurangzeb's mosque at the city of Benares (now Varanasi) as seen from the River Ganges, with pilgrims bathing and praying.
Bibliographic references
  • Archer, Mildred and Ronald Lightbown. 'India Observed: India as viewed by British Artists 1760-1860. Victoria and Albert Museum, London, 1982. p108 and 138. ISBN 0905209184
  • Patel, Divia; Rohatgi, Pauline and Godrej, Pheroza, "Indian Life and Landscape by Western Artists: an exhibition of paintings and drawings from the 17th to the early 20th century organised by the V&A and CSMVS". Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai and Victoria and Albert Museum, 2008, ISBN:81-901020-8-7 p. 65
Collection
Accession number
IS.33-1882

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Record createdMarch 10, 2003
Record URL
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