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Inro

ca. 1750-1850 (made)
Artist/Maker
Place of origin

The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular with gently curving sides.
Makers used a great variety of decorative styles and layout. On this example, the maker has spread the decoration over the entire body. As a result, the inro often cuts the decoration at unusual or unexpected places. This design shows 115 monkeys, many of which are dressed like human beings and engaged in human activities. It is a remarkable achievement given the small scale of the decoration and the use of the makie (sprinkled picture) technique. This involves sprinkling gold, red and brown powders on to a prepared lacquer surface to create the design.


Object details

Categories
Object type
Materials and techniques
Black, gold, red and brown lacquer
Brief description
Inro, black, gold, red and brown lacquer, monkeys in human guises, Japan, ca.1750-1850.
Physical description
This inro, of rectangular form and elliptical cross-section, is decorated with 115 monkeys in various guises representing human occupations in gold, red and brown hiramakie lacquer. The interior is of nashiji lacquer.
Dimensions
  • Height: 6.5cm
  • Width: 2.7cm
  • Depth: 2.0cm
Style
Credit line
Pfungst Gift
Subject depicted
Summary
The inro is a container made up of tiers. Japanese men used them because the traditional Japanese garment, the kimono, had no pockets. From the late 1500s onwards, Japanese men wore the inro suspended from their sash by a silk cord and a netsuke (toggle). They originally used it to hold their seal and ink or a supply of medicines. However, it rapidly became a costly fashion accessory of little or no practical use. Most inro are rectangular with gently curving sides.
Makers used a great variety of decorative styles and layout. On this example, the maker has spread the decoration over the entire body. As a result, the inro often cuts the decoration at unusual or unexpected places. This design shows 115 monkeys, many of which are dressed like human beings and engaged in human activities. It is a remarkable achievement given the small scale of the decoration and the use of the makie (sprinkled picture) technique. This involves sprinkling gold, red and brown powders on to a prepared lacquer surface to create the design.
Bibliographic references
  • Julia Hutt, Japanese Inro, V&A Publications, 1997; plate 57.
  • Oriental Art at the V&A p.50
Collection
Accession number
W.222-1922

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Record createdMarch 7, 2003
Record URL
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