The Willow
Etching
1850 (etched), 1926(?) (printed)
1850 (etched), 1926(?) (printed)
Artist/Maker | |
Place of origin |
A willow tree (filling almost the entire composition) growing out over a stream, above wading cattle and a swan.
Object details
Categories | |
Object type | |
Title | The Willow (assigned by artist) |
Materials and techniques | Etching |
Brief description | 'The Willow'. A willow tree growing out across a stream. Etching print (final state) by Samuel Palmer, England, 1850. |
Physical description | A willow tree (filling almost the entire composition) growing out over a stream, above wading cattle and a swan. |
Dimensions |
|
Marks and inscriptions | 'F.S. - M.H. - F.L.G.' (Signed in pencil) |
Gallery label | PALMER, Samuel (1805-1881).
The Willow.
Final state. One of 75 impressions, on specially chosen old paper, printed under the supervision of Sir Frank Short, R.A., P.R.E., R.I., Martin Hardie, R.I., R.E., and F. L. Griggs, A.R.A., R.E., before the cancelling of the plate. A small etched triangle has been added in the lower margin on the left, to identify the final printing. Plate destroyed.
Signed in pencil F.S.-M.H.-F.L.G.
Etching. (4 11/16 x 3 3/16) E.1455-1926.
Presented by A. H. Palmer, Esq.
Cancelled plate of above etching. E.1456-1926.
Presented by A. H. Palmer, Esq.
Impression from above cancelled plate. E.1457-1926.
Presented by A. H. Palmer, Esq. |
Credit line | Presented by A. H. Palmer, Esq. |
Object history | 75 impressions were taken from this plate, on specially chosen old paper, printed under the supervision of Sir Frank Short, R.A., P.R.E., R.I., Martin Hardie, R.I., R.E., and F. L. Griggs, A.R.A., R.E., before the cancelling of the plate. In the first state, there is a white streak across the sky, running from the edge of the plate to the tree, 2 mm. above the cumulus cloud on the left. This is filled up in the later state. In the later state also, there are a few more lines of shading in the upper part of the sky to the right. A. H. Palmer explained that: 'It should be noted that the tree in this etching was practically copied from a careful water-colour study made from nature, and of a much larger size. Such a proceeding was very rare in any of Palmer's work. In this case, it may have been due, partly to a feeling of timidity in a new process, or, partly to a prudent wish not to endanger his election by anything too characteristic or ambitious.' [Taken from: Catalogue of an Exhibition of Drawings, Etchings & Woodcuts by Samuel Palmer and other Disciples of William Blake October 20 - December 31, 1926. London : Published under the authority of the Board of Education, 1926. Publication No. 178 E.I.D. p.56] |
Production | See the plate that this was taken from, E.1456-1926. Also see an impression taken from the same plate before it was cancelled, E.1457-1926. Attribution note: Final State |
Subjects depicted | |
Associated objects |
|
Bibliographic references |
|
Collection | |
Accession number | E.1455-1926 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 30, 2009 |
Record URL |
Download as: JSONIIIF Manifest