Inro thumbnail 1
Not currently on display at the V&A

Inro

ca. 1750-1850 (made)
Artist/Maker
Place of origin

The inro is a tiered container that was traditionally worn by men only. Since the traditional Japanese garment, the kimono, had no pockets, men used the inro to carry their seal and ink or a supply of medicines. However it rapidly became a costly fashion accessory of little or no practical use.
Most inro are rectangular, with gently curving sides. Sometimes the entire body was modelled in the form of another object. In this particularly unusual example, the maker has carved the inro in the form of two overlapping inro. He must have been extremely skilful because the sections still open and close with precision. He has divided the surface into two distinct halves. A diagonal zigzag line separates and contrasts one half of mainly gold lacquer from one of black. This device dates back to the Momoyama period (1568-1615).


Object details

Categories
Object type
Materials and techniques
Gold and black lacquer
Brief description
Inro in the form of two overlapping inro, gold and black lacquer, landscape at the water's edge, hare's and rushes, ca.1750-1850
Dimensions
  • Height: 7.3cm
  • Width: 5.8cm
  • Depth: 3.0cm
Style
Credit line
Salting Bequest
Object history
Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Subjects depicted
Summary
The inro is a tiered container that was traditionally worn by men only. Since the traditional Japanese garment, the kimono, had no pockets, men used the inro to carry their seal and ink or a supply of medicines. However it rapidly became a costly fashion accessory of little or no practical use.
Most inro are rectangular, with gently curving sides. Sometimes the entire body was modelled in the form of another object. In this particularly unusual example, the maker has carved the inro in the form of two overlapping inro. He must have been extremely skilful because the sections still open and close with precision. He has divided the surface into two distinct halves. A diagonal zigzag line separates and contrasts one half of mainly gold lacquer from one of black. This device dates back to the Momoyama period (1568-1615).
Collection
Accession number
W.573-1910

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Record createdMarch 5, 2003
Record URL
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