This design for a sconce by John Linnell demonstrates his inventive use of naturalistic motifs. The mask of Apollo, behind which is a sunburst, surmounts a decorative arrangement of foliage, swags and an oval mirror. The sun god is commonly depicted (and associated) with the lyre which Linnell has also incorporated into this design. The use of scrolls and interlaced foliage combined with figures, demonstrates Linnell’s inspiration from French designers such as Bernard Toro and Juste-Aurèle Meissonnier. Linnell, amongst other craftsmen, would have studied the work of these designers during his design education at St Martin’s Lane Academy. Linnell used the lyre motif in many of his chair designs, often to form the splats of chair-backs.

Wall sconces were popular forms of furnishing during the 18^th century, designed as ornamental brackets to hold candles. The position of the candle branches in front of the mirror glass is a pertinent example of the way in which wall sconces were used as effective lighting devices during the 18^th century. The reflection of the candle light would have been very beneficial. The incorporation of Apollo and his lyre is symbolic of its use as a source of light. Wonderfully sculpted designs such as these would have been displayed within important state rooms of the grand interior such as drawing rooms. The reference to musical instruments within this design would also have made it an appropriate furnishing within a music room for example.