This design for a pier-glass ca.1755-1760 demonstrates the fascination for the gothic revival during the middle of the 18^th century and the way in which designers were incorporating gothic motifs within their designs. The gothic became popular due to trends such as the picturesque enjoyment of medieval ruins and in this design, Linnell has used gothic architectural detail to compose the overall shape. The gothic pillars which frame the glass and the arches at the top of the frame display the way in which Linnell was employing such forms. The gothic trefoil (the outline of three overlapping rings) in the central arch, as well as the lattice pattern, are also typical gothic revival features. In this design, Linnell has also incorporated rococo floral swags, entwined foliage and naturalistic forms into the design. The rococo style was also fashionable at this time, characterised by naturalistic motifs, curvaceous forms and asymmetry. Clients such as Sir William Lee of Hartwell were purchasing gothic furnishings from the Linnell firm during this period.

While this design is not coloured, Linnell may have used this as a presentation piece for clients. Furnishings in the gothic style such as this were often ebonised (where the wood was stained to imitate ebony) or made from dark woods. They would often feature within interiors which contained other gothic-revival furnishings.

Pier-glasses were a popular form of furnishing during the 18^th century. They were originally hung on the wall in between two windows (known as the pier wall) and acted as effective lighting devices by reflecting candle light. Often pier-glasses were made to match pier-tables which would be situated underneath them.