Bacchanal
Relief
1879 (made)
1879 (made)
Artist/Maker | |
Place of origin |
This is the first of several versions of Dalou's Bacchanal; it was exhibited at the Royal Academy of Arts, London, in 1879. The relief, showing a drunken orgy, part of the ancient cult of Bacchus, the god of wine, was accepted on loan by the V&A in 1887 from Boehm; his daughter confirmed it as a gift in 1896. Another plaster version was exhibited at the Salon of the Société Nationale des Beaux-Arts in Paris in 1891, and it was subsequently acquired by the Ville de Paris in 1893. It was accessioned by the Musée des Beaux-Arts, Calais, in 1975. The composition was later re-worked in marble (on a slightly larger scale); this version now adorns the Fontaine du Fleuriste at Auteuil, a suburb of Paris, under the title Scène Bacchique. There are several reduced versions of this piece in existence; a unique bronze is now in the Musée d'Orsay, Paris. There is a small plaster version in the Petit Palais, Paris, and another was shown at the exhibition Dalou Inédit at the Galerie Delestre, Paris, in 1978, and is now in a private collection.
Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.
Many of his works are of women in intimate domestic situations. Whether reading, sewing or, as here, with small children, they have a remarkable informality and intimacy. Dalou executed a number of versions specifically of Charity 1877-8.
Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture.
Many of his works are of women in intimate domestic situations. Whether reading, sewing or, as here, with small children, they have a remarkable informality and intimacy. Dalou executed a number of versions specifically of Charity 1877-8.
Object details
Categories | |
Object type | |
Title | Bacchanal (generic title) |
Materials and techniques | Painted plaster |
Brief description | Relief, painted plaster, Bacchanal, by Aimé-Jules Dalou, Anglo-French, 1879 |
Physical description | Plaster relief, circular; a satyr, two bacchanals and a bachante revelling. The figures are in high relief. Signed 'J. Dalou' and dated 1879. |
Dimensions |
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Marks and inscriptions | 'J.DALOU/1879' (on the edge beneath the reclining female figure) |
Gallery label | Aimé-Jules Dalou (1838–1902)
Bacchanal
Signed and dated 1879
This relief shows worshippers of Bacchus, the Greek god of wine. The format of the roundel is suited to the frenzy of their drunken revelry. Dalou admired the work of the 17th-century Flemish painter Peter Paul Rubens, as well as that of the French sculptor Jean-Baptiste Carpeaux, who had taught him modelling. Their inuence is evident in the exuberance of these gures
London
Painted plaster(2021) |
Credit line | Lent to the V&A by the sculptor Sir Joseph Edgar Boehm in 1887 and later given to the museum by his daughter |
Object history | Lent to the Museum by Sir Joseph Edgar Boehm in 1887; given by Boehm's daughter in his name in 1896. Transferred to the Bethnal Green Museum in 1969, and returned to the V&A in 1983. |
Subjects depicted | |
Summary | This is the first of several versions of Dalou's Bacchanal; it was exhibited at the Royal Academy of Arts, London, in 1879. The relief, showing a drunken orgy, part of the ancient cult of Bacchus, the god of wine, was accepted on loan by the V&A in 1887 from Boehm; his daughter confirmed it as a gift in 1896. Another plaster version was exhibited at the Salon of the Société Nationale des Beaux-Arts in Paris in 1891, and it was subsequently acquired by the Ville de Paris in 1893. It was accessioned by the Musée des Beaux-Arts, Calais, in 1975. The composition was later re-worked in marble (on a slightly larger scale); this version now adorns the Fontaine du Fleuriste at Auteuil, a suburb of Paris, under the title Scène Bacchique. There are several reduced versions of this piece in existence; a unique bronze is now in the Musée d'Orsay, Paris. There is a small plaster version in the Petit Palais, Paris, and another was shown at the exhibition Dalou Inédit at the Galerie Delestre, Paris, in 1978, and is now in a private collection. Dalou (1838-1902) was the son of a glove maker and initially trained in drawing at the Petit École in Paris. There he was encouraged to do sculpture. In 1854 he entered the École des Beaux-Arts, where he trained for four years. He was known for his left-wing political sympathies and was involved in the establishment of the Paris Commune in 1871. After his overthrow he was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London he frequently exhibited at the Royal Academy and he was given a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), where he had a profound effect on the development of British sculpture. Many of his works are of women in intimate domestic situations. Whether reading, sewing or, as here, with small children, they have a remarkable informality and intimacy. Dalou executed a number of versions specifically of Charity 1877-8. |
Bibliographic references |
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Collection | |
Accession number | 434-1896 |
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Record created | February 26, 2003 |
Record URL |
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