Panel thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 118a

Panel

ca. 1350 (made)
Artist/Maker
Place of origin

Object Type
By the 14th century heraldry had become a common theme for stained-glass windows. Many glazing schemes corresponded to 'occasional rolls' which had first appeared in England in the late 13th century. These documents recorded the coats of arms of those present on a special occasion, such as a military tournament or campaign. It is entirely possible that this panel was originally made for such a commemorative window.

People
This shield bears the arms of Roger Beauchamp of Bletsoe, a baron of Edward III (1327-1377). Beauchamp's military career was long and distinguished. He fought for Edward III throughout the Hundred Years' War - a conflict sparked by the Edward III's revival of his hereditary claim to the French crown. In 1372 Beauchamp was appointed Captain of Calais and, later on, was honoured with the prestigious title of Lord Chamberlain to the Royal Household (1376-1377).

Places
This panel was possibly acquired from Strawberry Hill (Twickenham, Middlesex), home of Horace Walpole (1717-1797). Walpole, who pioneered England's 18th-century Gothic revival, transformed the property into a pseudo-Gothic 'castle' in which to hoard his celebrated collection of antiquities, prints and curiosities. His particular interest in heraldry was reflected in the Medieval stained glass with which he decorated his residence.

Design & Designing
An important stylistic development in the painted glass of this period is the 'diapering' (chequered pattern) of the coloured background against which figurative designs such as heraldry were set. These areas, previously plain, were now enlivened with intricate patterns of foliage, either painted on to the glass in black or masked out on a black enamel ground.


Object details

Categories
Object type
Materials and techniques
Clear, flashed and pot-metal glass, painted with brown enamel and silver stain
Brief description
Panel of clear, coloured and flashed glass painted with brown/black pigment and silver stain. Depicting the arms of Thomas de Beauchamp as second son of Thomas, 11th Earl of Warwick. English, about 1350.
Physical description
Panel of clear, coloured and flashed glass painted with brown/black pigment and silver stain. Depicting the arms of Thomas de Beauchamp as second son of Thomas, 11th Earl of Warwick (gules on a fess or between 6 crosslets botonné a crescent sable).
Dimensions
  • Height: 24cm
  • Width: 24.8cm
Gallery label
British Galleries: Walpole was one of the first people to collect stained glass. He paid an Italian named Asciotti to collect 450 pieces for him in Flanders (an area covering parts of northern France, Belgium and the Netherlands). He also collected old English glass. Walpole had the glass fitted into the Gothic windows at Strawberry Hill to help create an effect he described as 'gloomth'. In 1753, he wrote to Horace Mann 'the adjusting and disposing [of] it is vast amusement'.(27/03/2003)
Credit line
Bought
Object history
From the Strawberry Hill collection.
At the time of acquisition, this panel was thought to represent the arms of the family Beauchamp of Bletso and to date from the 15th century.
Historical context
(Leeds cat. ref.) (1961, Temple Newsam, cat entry) 6906-1860
Shield with Arms of Beauchamp of Bletsho
English, 14th century
Horace Walpole collection at Strawberry Hill

The Beauchamps of Bletso are a cadet branch of the Beauchamps of Warwick. Roger Beauchamp (d.1379-80) was created 1st Lord Beauchamp (of Bletsoe). The arms of this branch are: gules on a fess or between 6 martlets or a mullet sable. However, there is a Walter de Beauchamp recorded in the Falkirk Roll (c.1298) with the arms: gule a fess or between 6 martlets or.

The crescent on the fess of this shield is a cadency mark and indicates a second son. Thomas was the second second of Thomas, the 11th Earl. The eldest son, Guy, died in 1360. The father died in 1369. This shield would have to date prior to the death of the latter and probably before the death of the former.

John was the brother of Thomas, the 11th Earl, and a younger son of Guy, the 10th Earl of Warwick. He was born about 1316 and died 1360. He was created the 1st Baron Beauchamp of Elmsley. He was one of the principal captains at the siege of Calais in 1348 and was one of the founder members of the Order of the Garter, along with his brother, Thomas. His arms appear to have been: gules, crusily, a fess or, difference mullet sable. This would indicate that he was a third son.
Subjects depicted
Summary
Object Type
By the 14th century heraldry had become a common theme for stained-glass windows. Many glazing schemes corresponded to 'occasional rolls' which had first appeared in England in the late 13th century. These documents recorded the coats of arms of those present on a special occasion, such as a military tournament or campaign. It is entirely possible that this panel was originally made for such a commemorative window.

People
This shield bears the arms of Roger Beauchamp of Bletsoe, a baron of Edward III (1327-1377). Beauchamp's military career was long and distinguished. He fought for Edward III throughout the Hundred Years' War - a conflict sparked by the Edward III's revival of his hereditary claim to the French crown. In 1372 Beauchamp was appointed Captain of Calais and, later on, was honoured with the prestigious title of Lord Chamberlain to the Royal Household (1376-1377).

Places
This panel was possibly acquired from Strawberry Hill (Twickenham, Middlesex), home of Horace Walpole (1717-1797). Walpole, who pioneered England's 18th-century Gothic revival, transformed the property into a pseudo-Gothic 'castle' in which to hoard his celebrated collection of antiquities, prints and curiosities. His particular interest in heraldry was reflected in the Medieval stained glass with which he decorated his residence.

Design & Designing
An important stylistic development in the painted glass of this period is the 'diapering' (chequered pattern) of the coloured background against which figurative designs such as heraldry were set. These areas, previously plain, were now enlivened with intricate patterns of foliage, either painted on to the glass in black or masked out on a black enamel ground.
Associated object
Bibliographic reference
Glass, or Glass-making as a creative art through the ages, Leeds : Temple Newsam House, 1961 182
Collection
Accession number
6906-1860

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 28, 1998
Record URL
Download as: JSONIIIF Manifest