Shepherd and shepherdess thumbnail 1
On display
Image of Gallery in South Kensington

Shepherd and shepherdess

Relief
ca. 1761 (carved)
Artist/Maker
Place of origin

Once thought to be the work of John Bacon the Elder, in 1984 it was suggested that this relief should be identified with one exhibited by Collins at the Society of Artists exhibition held at Spring Gardens, London, in 1761 and described as 'for a chimney-piece; a clown and country girl'. Similar plaques may be found in a chimneypiece at Bretton Hall, near Wakefield, Yorkshire, and in the Lady Lever Art Gallery, Port Sunlight, Merseyside. A closely related marble relief also acquired by the V&A from the Jones collection, originally attributed to Joseph Nollekens, has recently been re-attributed to Sir Henry Cheere or Collins (inv. no. 1176-1882). Collins served his apprenticeship under Cheere, and later became well known for his chimneypiece reliefs.

Object details

Categories
Object type
TitleShepherd and shepherdess (generic title)
Materials and techniques
Marble on giallo marble backing, in a gilt wood frame
Brief description
Relief, marble on giallo marble backing in a gilt wood frame, Shepherd and Shepherdess, attributed to William Collins, England, ca. 1761
Physical description
The shepherdess lies asleep, while her swain sits beside her scratching his head. They both sit beside a tree to rest accompanied by a dog.
Dimensions
  • With frame height: 41cm
  • Width: 64cm
Weight estimated by object handlers: approx. 50-60 kg Dimensions checked: Measured; 21/01/1999 by LM
Gallery label
(27/03/2003)
British Galleries:
This relief, showing an idyllic, pastoral subject, was probably inspired by prints of the work of the French Rococo painter François Boucher (1703-1770). It may have been intended for the central panel of a chimneypiece.
Credit line
Bequeathed by John Jones
Object history
Bequeathed to the Museum by John Jones in 1882.
On acquisition the relief was thought to be the work of John Bacon the Elder and described as such in the Catalogue of the Jones Collection, published in 1924. In 1984 however it was suggested that it should be identified with one exhibited at Collins at the Society of Artists exhibition held at Spring Gardens in 1761 (no. 144), described as 'for a chimney-piece; a clown and country girl'.
Subjects depicted
Summary
Once thought to be the work of John Bacon the Elder, in 1984 it was suggested that this relief should be identified with one exhibited by Collins at the Society of Artists exhibition held at Spring Gardens, London, in 1761 and described as 'for a chimney-piece; a clown and country girl'. Similar plaques may be found in a chimneypiece at Bretton Hall, near Wakefield, Yorkshire, and in the Lady Lever Art Gallery, Port Sunlight, Merseyside. A closely related marble relief also acquired by the V&A from the Jones collection, originally attributed to Joseph Nollekens, has recently been re-attributed to Sir Henry Cheere or Collins (inv. no. 1176-1882). Collins served his apprenticeship under Cheere, and later became well known for his chimneypiece reliefs.
Bibliographic references
  • List of Objects in the Art Division, South Kensington Museum acquired during the Year 1882. London: Eyre and Spottiswoode, 1883. pp. 110
  • Catalogue of the Jones Bequest. 1924. II, No. 394
  • Smith, T.J. Nollekens and his times, comprehending a life of that sculptor and memoirs of several artists, from the time of Roubillac, Hogarth and Reynolds to that of Fuseli, Flaxman and Blake. London, 1828. II. pp. 313
  • Baker, Malcolm. Figured in Marble. The Making and Viewing of Eighteenth- Century Sculpture. London: V&A Publications, 2000. pp. 77
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: V& A Publications, 2002. pp. 68-9
  • c.f Girouard, Mark. Picton Castle, Pembrokeshire- II. Country Life. CLXXVII. 14 Jan 1960. pp. 67, 69
  • Physick. J. Designs for English Sculpture 1680-1860. London, 1969. pp. 128-9
  • Clay, A, Morris, E, Penketh, S, Stevens, T. British Sculpture in the Lady Lever Art Gallery. Liverpool: National Museums and Galleries on Merseyside, 1999. pp. 2-3
  • Powell, N. 'Rococo in England'. Apollo. CXX. August 1984. pp. 98-105
  • Snodin, Michael (ed.), Rococo : art and design in Hogarth's England, London : Trefoil Books, 1984 no. S49
  • Young, Hilary (ed.). The Genius of Wedgwood. London : Victoria & Albert Museum, 1995 F12
Collection
Accession number
1152-1882

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Record createdFebruary 26, 2003
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