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Anatomical figure thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 22, The Dorothy and Michael Hintze Galleries

Anatomical figure

Statuette
1761-1767 (cast)
Artist/Maker
Place of origin

Anatomical figures such as this, highlighting the muscles of the human body, were used to teach both medical and art students. This example was probably cast from a wax by the Anglo-Danish sculptor Michael Henry Spang (whose statuette of Hogarth is also in the collection of the Museum; inv. no. 311-1885) after a plaster cast of the flayed body of an executed criminal.

On acquisition this figure was originally thought to be Italian, but Martin Kemp identified it as a work cast after Spang, whose wax model of this figure is in the Hunterian Museum in Glasgow. Spang originally modelled this ecorché in wax for Dr William Hunter (1718-1783) and exhibited it at the Society of Artists in 1761.
Edward Burch is known to have cast in bronze several model made by Spang. In 1767, he was awarded a premium for a bronze ‘Cast of an anatomy figure, after Spang’ at the Society of Arts. Further bronze examples of this figure are known in other museum collections. Burch was a gem-engraver and sculptor, who had great success for more than two decades. His career declined from 1788 and from 1794 to 1812 he served as Librarian at the Royal Academy.


Object details

Categories
Object type
TitleAnatomical figure (generic title)
Materials and techniques
Bronze
Brief description
Statuette, écorché, male anatomical figure, ascribed to Edward Burch, after an original wax by Michael Henry Spang or Spong [previously thought to be Italian], Britain, after 1761
Physical description
Male anatomical model with right arm raised.
Dimensions
  • Height: 25.3cm
Object history
Purchased from Messrs. Alfred Spero, 134 New Bond Street, London in 1945 for £85 under the terms of the John Webb Trust.
Production
Probably cast by Edward Burch, after a wax model by Michael Henry Spang (or Spong)
Summary
Anatomical figures such as this, highlighting the muscles of the human body, were used to teach both medical and art students. This example was probably cast from a wax by the Anglo-Danish sculptor Michael Henry Spang (whose statuette of Hogarth is also in the collection of the Museum; inv. no. 311-1885) after a plaster cast of the flayed body of an executed criminal.

On acquisition this figure was originally thought to be Italian, but Martin Kemp identified it as a work cast after Spang, whose wax model of this figure is in the Hunterian Museum in Glasgow. Spang originally modelled this ecorché in wax for Dr William Hunter (1718-1783) and exhibited it at the Society of Artists in 1761.
Edward Burch is known to have cast in bronze several model made by Spang. In 1767, he was awarded a premium for a bronze ‘Cast of an anatomy figure, after Spang’ at the Society of Arts. Further bronze examples of this figure are known in other museum collections. Burch was a gem-engraver and sculptor, who had great success for more than two decades. His career declined from 1788 and from 1794 to 1812 he served as Librarian at the Royal Academy.
Bibliographic references
  • Bilbey, Diane with Trusted, Marjorie, British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum, London, 2002, cat. no. 78, p. 56
  • Kemp, Martin, Dr William Hunter at the Royal Academy of ArtsGlasgow, 1975, pp. 14-17
  • Kemp, Martin, 'Glasgow University Bicentenary Celebrations of Dr William Hunter (1718-1783)' exhibition review in Burlington Magazine CXXV, 1983, p. 383
  • Price-Amerson, L, Jr. The Problem of Ecorché..... PhD Thesis, 1975, vol. 2, pp. 349-352, cat. nos. 41-49
  • Bryant, J, 'Thomas Banks' anatomical crucifixion', Apollo CXXXIII, no. 352, June 1991, pp. 410-11, fig. 2
  • Postle, Martin, 'Flayed for Art. The écorché figure in the English Art Academy', The British Art Journal V, no. 1, pp.55-63, fig. 6
  • Dupont, Christine and Itzel, Constanze, eds. Interactions. Centuries of commerce, combat and creation, exh. cat., 2017, p.191.
  • Postle, Martin, The artist's model from Etty to Spencer, London, 1999
  • L'âme au corps : arts et sciences 1793-1993, Paris : Réunion des musées nationaux, 1993 no. 1:17
Collection
Accession number
A.18-1945

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Record createdFebruary 26, 2003
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