John Fane, 7th Earl of Westmorland
Bust
1742 (carved)
1742 (carved)
| Artist/Maker | |
| Place of origin |
Object Type
This portrait bust of John Fane, 7th Earl of Westmorland (1682-1762), was executed for Richard Temple, Viscount Cobham (1675-1749), to be placed in the Temple of Friendship at Stowe, Buckinghamshire. It was one of a series of ten marble busts portraying Cobham and his friends and political associates. The busts were ranged round the walls on plinths, apparently surrounding the dining table at which Cobham entertained his friends.
People
Lord Cobham was a career soldier and an opposition Whig in conflict with the government led by Sir Robert Walpole. His house and estate at Stowe were the focus for a number of opposition figures, and many of the buildings, monuments and sculptures set out in the gardens and park symbolised his political philosophy, notably his commemoration of British Worthies, such as Sir Isaac Newton and Elizabeth I, representing great historical figures who personified freedom of thought or momentous historic action.
Materials & Making
Marble busts were among the most prestigious types of portrait undertaken in Britain during the 18th century. The marble, a relatively expensive material, was imported, usually from Italy via The Netherlands, since there are no marble quarries in this country. The skills needed to carve marble could also be learnt abroad, where an aspiring artist would probably gain his most important training assisting an established sculptor.
This portrait bust of John Fane, 7th Earl of Westmorland (1682-1762), was executed for Richard Temple, Viscount Cobham (1675-1749), to be placed in the Temple of Friendship at Stowe, Buckinghamshire. It was one of a series of ten marble busts portraying Cobham and his friends and political associates. The busts were ranged round the walls on plinths, apparently surrounding the dining table at which Cobham entertained his friends.
People
Lord Cobham was a career soldier and an opposition Whig in conflict with the government led by Sir Robert Walpole. His house and estate at Stowe were the focus for a number of opposition figures, and many of the buildings, monuments and sculptures set out in the gardens and park symbolised his political philosophy, notably his commemoration of British Worthies, such as Sir Isaac Newton and Elizabeth I, representing great historical figures who personified freedom of thought or momentous historic action.
Materials & Making
Marble busts were among the most prestigious types of portrait undertaken in Britain during the 18th century. The marble, a relatively expensive material, was imported, usually from Italy via The Netherlands, since there are no marble quarries in this country. The skills needed to carve marble could also be learnt abroad, where an aspiring artist would probably gain his most important training assisting an established sculptor.
Object details
| Categories | |
| Object type | |
| Title | John Fane, 7th Earl of Westmorland (generic title) |
| Materials and techniques | Marble |
| Brief description | Bust, marble, of John Fane, 7th Earl of Westmorland (1682-1762), by Thomas Ady, Britain, signed and dated 1742 |
| Physical description | The sitter bare-headed and with tight curls, looks to his half-right. He wears classical armour, the breast of which shows a relief of Britannia holding an olive branch and surrounded by trophies. |
| Dimensions |
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| Gallery label |
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| Object history | Carved in London by Thomas Ady (active 1730-1753). The bust was almost certainly in the Temple of Friendship, Stowe House, Buckinghamshire, and was included in the 1848 Stowe sale, as lot 764. It was there sold to 'Russell' for £8 8s, who was a London dealer. The vendors of the present piece noted that it was said to have come from the Earl of Jersey's collection; it this is correct the Earl must have bought it from Russell or a subsequent owner. The V&A purchased the bust from Messrs Kerin, 15 Davies Street, London, for £100. |
| Subjects depicted | |
| Summary | Object Type This portrait bust of John Fane, 7th Earl of Westmorland (1682-1762), was executed for Richard Temple, Viscount Cobham (1675-1749), to be placed in the Temple of Friendship at Stowe, Buckinghamshire. It was one of a series of ten marble busts portraying Cobham and his friends and political associates. The busts were ranged round the walls on plinths, apparently surrounding the dining table at which Cobham entertained his friends. People Lord Cobham was a career soldier and an opposition Whig in conflict with the government led by Sir Robert Walpole. His house and estate at Stowe were the focus for a number of opposition figures, and many of the buildings, monuments and sculptures set out in the gardens and park symbolised his political philosophy, notably his commemoration of British Worthies, such as Sir Isaac Newton and Elizabeth I, representing great historical figures who personified freedom of thought or momentous historic action. Materials & Making Marble busts were among the most prestigious types of portrait undertaken in Britain during the 18th century. The marble, a relatively expensive material, was imported, usually from Italy via The Netherlands, since there are no marble quarries in this country. The skills needed to carve marble could also be learnt abroad, where an aspiring artist would probably gain his most important training assisting an established sculptor. |
| Bibliographic references |
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| Collection | |
| Accession number | A.65-1949 |
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| Record created | February 25, 2003 |
| Record URL |
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