Omar
Textile Design
1898 (designed)
1898 (designed)
Artist/Maker | |
Place of origin |
Charles Harrison Townsend is best known as an architect who designed some spectacular churches, in addition to secular buildings such as the Horniman Museum and the Whitechapel Art Gallery in London. This design for a woven double cloth is partly based on a Persian motif, hence the name `Omar' (probably after the 11th century Persian poet Omar Khayyam, whose work was popular in Britain in the later 19th century), but it also has some of the characteristics of British Art Nouveau. Yet Townsend, as a member of the Arts & Crafts movement, would have rejected any connection between his work and continental Art Nouveau.
Object details
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Object type | |
Titles |
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Materials and techniques | Pencil, watercolour and bodycolour |
Brief description | Charles Harrison Townsend. 'Omar'. Design for silk and wool double cloth for Alexander Morton & Co. British, 1898. |
Physical description | A brick repeat with horizontal mirror of three tulip buds and a fully-opened tulip in profile divided by a central stem. Only the bottom right horizontal mirror repeat is coloured and the others are in pencil. The coloured repeat consists of two orange flowers in profile divided by a blue stem flanked by three, yellow tulips on each side facing inwards lying on green leaves. |
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Marks and inscriptions | ' "OMAR" C. Harrison Townsend / Oct: /98' (Signature; Top margin of design; Handwriting; Watercolour) |
Credit line | Given by Courtaulds Ltd |
Subjects depicted | |
Summary | Charles Harrison Townsend is best known as an architect who designed some spectacular churches, in addition to secular buildings such as the Horniman Museum and the Whitechapel Art Gallery in London. This design for a woven double cloth is partly based on a Persian motif, hence the name `Omar' (probably after the 11th century Persian poet Omar Khayyam, whose work was popular in Britain in the later 19th century), but it also has some of the characteristics of British Art Nouveau. Yet Townsend, as a member of the Arts & Crafts movement, would have rejected any connection between his work and continental Art Nouveau. |
Associated objects |
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Collection | |
Accession number | E.593-1974 |
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Record created | February 25, 2003 |
Record URL |
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