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Omar

Textile Design
1898 (designed)
Artist/Maker
Place of origin

Charles Harrison Townsend is best known as an architect who designed some spectacular churches, in addition to secular buildings such as the Horniman Museum and the Whitechapel Art Gallery in London. This design for a woven double cloth is partly based on a Persian motif, hence the name `Omar' (probably after the 11th century Persian poet Omar Khayyam, whose work was popular in Britain in the later 19th century), but it also has some of the characteristics of British Art Nouveau. Yet Townsend, as a member of the Arts & Crafts movement, would have rejected any connection between his work and continental Art Nouveau.

Object details

Categories
Object type
Titles
  • Omar (assigned by artist)
  • Cessnock (series title)
Materials and techniques
Pencil, watercolour and bodycolour
Brief description
Charles Harrison Townsend. 'Omar'. Design for silk and wool double cloth for Alexander Morton & Co. British, 1898.
Physical description
A brick repeat with horizontal mirror of three tulip buds and a fully-opened tulip in profile divided by a central stem. Only the bottom right horizontal mirror repeat is coloured and the others are in pencil. The coloured repeat consists of two orange flowers in profile divided by a blue stem flanked by three, yellow tulips on each side facing inwards lying on green leaves.
Dimensions
  • Height: 24.3cm
  • Width: 22.8cm
Styles
Marks and inscriptions
' "OMAR" C. Harrison Townsend / Oct: /98' (Signature; Top margin of design; Handwriting; Watercolour)
Credit line
Given by Courtaulds Ltd
Subjects depicted
Summary
Charles Harrison Townsend is best known as an architect who designed some spectacular churches, in addition to secular buildings such as the Horniman Museum and the Whitechapel Art Gallery in London. This design for a woven double cloth is partly based on a Persian motif, hence the name `Omar' (probably after the 11th century Persian poet Omar Khayyam, whose work was popular in Britain in the later 19th century), but it also has some of the characteristics of British Art Nouveau. Yet Townsend, as a member of the Arts & Crafts movement, would have rejected any connection between his work and continental Art Nouveau.
Associated objects
Bibliographic references
  • Newton, Charles. ,Victorian Designs for the Home. London, V&A Publications, 1999. 140 p. ill. ISBN 1851772898.
  • John Murdoch and Susan Lambert, Summary Catalogue of Textile Designs 1840-1985 in the V. & A. Museum and colour microfiche, Surrey: Emmett Microform, 1986
Collection
Accession number
E.593-1974

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Record createdFebruary 25, 2003
Record URL
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