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Drawing - 'Twas Love, Cold, Dead Indeed, but Not Dethroned' ['Isablla' by John Keats]
  • 'Twas Love, Cold, Dead Indeed, but Not Dethroned' ['Isablla' by John Keats]
    Solomon, Simeon, born 1840 - died 1905
  • Enlarge image

'Twas Love, Cold, Dead Indeed, but Not Dethroned' ['Isablla' by John Keats]

  • Object:


  • Place of origin:

    Britain (drawn)

  • Date:

    1885 (drawn)

  • Artist/Maker:

    Solomon, Simeon, born 1840 - died 1905 (artist)

  • Materials and Techniques:

    Pencil on paper

  • Museum number:


  • Gallery location:

    Prints & Drawings Study Room, level H, case PD, shelf 86, box B

Physical description

pencil drawing on paper

Place of Origin

Britain (drawn)


1885 (drawn)


Solomon, Simeon, born 1840 - died 1905 (artist)

Materials and Techniques

Pencil on paper

Marks and inscriptions

Monogram and date


Height: 10 3/4 in, Width: 14 in

Object history note

Given by Sir William Hale-White, KBE, FRCP, 1931

Descriptive line

Drawing, 'Twas Love, Cold, Dead Indeed, but Not Dethroned' ['Isablla' by John Keats], by Simeon Solomon, British School, 1885

Bibliographic References (Citation, Note/Abstract, NAL no)

The following excerpts are taken from the GLBTQ Archive Encyclopedia, © 2015, glbtq, Inc.:

"Associated with the Pre-Raphaelites and the Aesthetic Movement of the late 19th century, Simeon Solomon lived a life marked by both stunning success and unfortunate tragedy. Significant in LGBTQ culture for living openly as a gay man in the Victorian period, at a time when it was not at all socially acceptable to do so, he wrote an important prose poem in 1870 that may be read as a defense of male-male desire. Privately published, it was entitled A Vision of Love Revealed in Sleep.
Around this time, he was also creating works depicting androgynous male figures who are representative of homoerotic love. The opening of the Dudley Gallery in London in 1865 allowed Solomon and other artists to exhibit works with more daring subjects than those accepted at the Royal Academy.
During these years Solomon created such works of homoerotic content as 'Sappho and Erinna in a Garden at Mytelene' (1864), 'Love among the School Boys' (1866), 'The Bride and Bridegroom' (1866), 'Sad Love' (1866), 'Love in Autumn' (1866), and two versions of 'Bacchus' (1866 and 1867).

Although he had earned recognition as an artist in his lifetime, Solomon's life and career deteriorated after his arrest for "buggery" in 1873. He may be seen as a victim of late 19th century English homophobia as he lived most of the remaining 32 years of his life as a social outcast and his work faded into oblivion after his death in 1905. It has only recently been re-examined".


Pencil; Paper





Production Type



Prints, Drawings & Paintings Collection

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