Opium cultivation scene, Malwa thumbnail 1
Not currently on display at the V&A

Opium cultivation scene, Malwa

Painting
1862 (made)
Artist/Maker
Place of origin

William Simpson was born in Glasgow in 1823. He worked at a specialist lithographic firm, where he learned the art of lithography, before moving to London and working for the publishing firm William Day and Son. In 1859 the firm commissioned Simpson to visit India and make drawings for a book illustrating well-known places associated with the 1857 uprising of the Indian army against their British officers. Simpson visited India four times over the next 25 years, making many rapid pencil sketches of a great range of subjects. These formed the basis for finished watercolours for the projected book. Unfortunately, Day and Son went into liquidation in 1867 and two years later Simpson’s collection of 250 watercolours was sold off as bankrupt stock.

A woman is seen here harvesting opium under the spreading branches of a banyan tree. She is making cuts in the poppy heads, releasing the raw opium in the form of a sticky resin, which is then gathered. This opium is being harvested in Malwa, central India, an area that had been important for opium production since the 16th century.


Object details

Categories
Object type
TitleOpium cultivation scene, Malwa (generic title)
Materials and techniques
Watercolour on paper
Brief description
Painting of Opium cultivation scene, Malwa, by William Simpson, pencil and watercolour on paper, London, 1862
Physical description
Painting of opium cultivation in Malwa, a historical region of west-central India. A woman, wearing a skirt and blouse with a dupatta (long scarf) over her head, is seen harvesting opium under the spreading branches of a banyan tree. She is making cuts in the poppy heads, releasing the raw opium in the form of a sticky resin, which is then gathered. A farmer tends to his oxen on the left side.
Dimensions
  • Height: 14in
  • Width: 20in
Marks and inscriptions
Opium cultivation, Malwa. Wm. Simpson 1862.
Credit line
Purchased from Messrs Day and Son Ltd (London) in 1869
Object history
Simpson, William (1823-1899). Painter and lithographer. Simpson was apprenticed to a lithographer in Glasgow and in 1851 came to London where he made views of the Great Exhibition. He became well known for his paintings with commissions by Queen Victoria to paint various important events in her reign. In 1859 the publishers, Day and Son, commissioned him to make drawings of India. On his return he produced "India, ancient and modern" (London, 1867), a series of illustrations of the country and its people. Later in 1876, he accompanied the Prince of Wales to India and published "Shikare and Tomasha, a souvenir of the visit of His Royal Highness the Prince of Wales to India (London, 1876).
Subjects depicted
Summary
William Simpson was born in Glasgow in 1823. He worked at a specialist lithographic firm, where he learned the art of lithography, before moving to London and working for the publishing firm William Day and Son. In 1859 the firm commissioned Simpson to visit India and make drawings for a book illustrating well-known places associated with the 1857 uprising of the Indian army against their British officers. Simpson visited India four times over the next 25 years, making many rapid pencil sketches of a great range of subjects. These formed the basis for finished watercolours for the projected book. Unfortunately, Day and Son went into liquidation in 1867 and two years later Simpson’s collection of 250 watercolours was sold off as bankrupt stock.

A woman is seen here harvesting opium under the spreading branches of a banyan tree. She is making cuts in the poppy heads, releasing the raw opium in the form of a sticky resin, which is then gathered. This opium is being harvested in Malwa, central India, an area that had been important for opium production since the 16th century.
Bibliographic reference
Registered File number RF/1869/6716
Collection
Accession number
1134-1869

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Record createdFebruary 23, 2003
Record URL
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