Poster advertising the Second Post-Impressionist Exhibition, 1912
Poster
1912 (printed)
1912 (printed)
Artist/Maker | |
Place of origin |
This poster advertises the Second Post-Impressionist Exhibition at the Grafton Galleries in London in 1912. The exhibition was organised by the artist and critic Roger Fry (1866-1934). It was the first influential attempt to introduce the British public to works by avant-garde British artists (such as Eric Gill, Duncan Grant, Wyndham Lewis and Fry himself) alongside Matisse, Picasso, Braque, Cézanne and others. Duncan Grant’s poster for this exhibition incorporated both geometric patterning and simplification of form. It anticipated stylistic features of artefacts produced in the Omega Workshops, which Fry founded in 1913.
Object details
Categories | |
Object type | |
Title | Poster advertising the Second Post-Impressionist Exhibition, 1912 (assigned by artist) |
Materials and techniques | Line block print |
Brief description | Poster advertising the Second Post-Impressionist Exhibition held at the Grafton Galleries, London, designed by Duncan Grant and Vanessa Bell, line block print, 1912 |
Physical description | Line block print poster advertising the Second Post-Impressionist Exhibition held at the Grafton Galleries, London, 5 October-31 December 1912. |
Dimensions |
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Style | |
Credit line | Given by Miss Margery Fry, J. P. |
Object history | Vanessa Bell had the idea of the poster featuring a shocked woman with hands raised to her face, which was realised by Duncan Grant. |
Subjects depicted | |
Summary | This poster advertises the Second Post-Impressionist Exhibition at the Grafton Galleries in London in 1912. The exhibition was organised by the artist and critic Roger Fry (1866-1934). It was the first influential attempt to introduce the British public to works by avant-garde British artists (such as Eric Gill, Duncan Grant, Wyndham Lewis and Fry himself) alongside Matisse, Picasso, Braque, Cézanne and others. Duncan Grant’s poster for this exhibition incorporated both geometric patterning and simplification of form. It anticipated stylistic features of artefacts produced in the Omega Workshops, which Fry founded in 1913. |
Bibliographic references |
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Other number | 16/C11 - V&A microfiche |
Collection | |
Accession number | E.737-1955 |
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Record created | February 18, 2003 |
Record URL |
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