Perroquet Rouge
Watercolour
ca. 1744 (painted)
ca. 1744 (painted)
Artist/Maker | |
Place of origin |
This was one of the 44 illustrations Ehret contributed to Hortus Nitidissimus (1750-92), a publication devoted to garden plants by the German physician and botanist Dr Christoph Jakob Trew (1695-1769) of Nuremburg. This was essentially a florilegium celebrating the beauties of flowering plants, and without any higher scientific purpose, as the subtitle asserts: 'The flower-garden in finest bloom throughout the year, or pictures of the most beautiful flowers.' This would explain the peculiarly exaggerated decorative character of the portrait, with its stylized rococo sinuosity.
Object details
Categories | |
Object type | |
Additional title | Parrot Tulip (popular title) |
Materials and techniques | Watercolour and bodycolour on vellum |
Brief description | Parrot Tulip (Tulipa gesneriana) or Perroquet rouge by George Dionysius Ehret (1708-70); watercolour and bodycolour on vellum; 1744; England |
Physical description | Peroquet Rouge; Parrot Tulip by George Dionysius Ehret; watercolour and bodycolour on vellum |
Marks and inscriptions |
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Gallery label | Georg Dionysius Ehret 1708-70
Parrot Tulip (Tulipa gesneriana)
1744
Ehret began life as a gardener, drawing plants in his spare time. This was one of the 44 illustrations he contributed to 'Hortus nitidissimus', a work by his Nuremberg patron Dr Christoph Jacob Trew. As a florilegium, the book celebrated the beauties of flowering plants, without any higher scientific purpose, which may explain the exaggerated decorative quality of the portrait.
England
Watercolour and bodycolour on vellum
V&A: D.582-1886 |
Subjects depicted | |
Summary | This was one of the 44 illustrations Ehret contributed to Hortus Nitidissimus (1750-92), a publication devoted to garden plants by the German physician and botanist Dr Christoph Jakob Trew (1695-1769) of Nuremburg. This was essentially a florilegium celebrating the beauties of flowering plants, and without any higher scientific purpose, as the subtitle asserts: 'The flower-garden in finest bloom throughout the year, or pictures of the most beautiful flowers.' This would explain the peculiarly exaggerated decorative character of the portrait, with its stylized rococo sinuosity. |
Bibliographic references |
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Collection | |
Accession number | D.582-1886 |
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Record created | February 14, 2003 |
Record URL |
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