Design for a boudoir ceiling in the Rococo style thumbnail 1
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Design for a boudoir ceiling in the Rococo style

Architectural Design
ca. 1870 (made)
Artist/Maker
Place of origin

George Edward Fox was a successful interior designer with a large number of wealthy clients. He worked with the firm of Crace and specialised in lavish versions of historic French styles. He designed this boudoir ceiling for Lady Wimborne. People at the time considered that the prettiness of the revived Rococo style was particularly suitable for the private rooms of a fashionable woman. They knew of the splendours of house interiors that had belonged to members of the French court in the 18th century. By the 1870s these had reached an almost mythical status. They were much imitated, to the displeasure of design reformers in Britain.


Object details

Categories
Object type
TitleDesign for a boudoir ceiling in the Rococo style (generic title)
Materials and techniques
Pen and ink and watercolour
Brief description
Watercolour drawing by George Edward Fox: Design for a boudoir ceiling in the Rococo style
Physical description
Pen and ink and watercolour drawing on paper
Dimensions
  • Height: 31.7cm
  • Width: 31.7cm
Styles
Marks and inscriptions
Signed George E. Fox (Inscription from: Victoria and Albert Museum, Department of Engraving, Illustration and Design & Department of Paintings, Accessions 1919, London: Printed Under the Authority of His Majesty's Stationery Office, 1921)
Credit line
Given by Mill Steven FSA
Subjects depicted
Summary
George Edward Fox was a successful interior designer with a large number of wealthy clients. He worked with the firm of Crace and specialised in lavish versions of historic French styles. He designed this boudoir ceiling for Lady Wimborne. People at the time considered that the prettiness of the revived Rococo style was particularly suitable for the private rooms of a fashionable woman. They knew of the splendours of house interiors that had belonged to members of the French court in the 18th century. By the 1870s these had reached an almost mythical status. They were much imitated, to the displeasure of design reformers in Britain.
Bibliographic reference
Victoria and Albert Museum, Department of Engraving, Illustration and Design & Department of Paintings, Accessions 1919, London: Printed Under the Authority of His Majesty's Stationery Office, 1921
Collection
Accession number
E.79-1919

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Record createdFebruary 13, 2003
Record URL
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