Spittoon thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
South Asia Gallery, Room 41

Spittoon

Spittoon
first half 19th century (made)
Artist/Maker
Place of origin

The spittoon would have been used for collecting saliva produced by chewing paan. Spittoons used at court could be elaborately decorated. This example is of bidri ware, a metalworking technique named after the Deccani city of Bidar, where is traditionally thought to have originated. The bottom half of the spittoon resembles the bell shape often seen in huqqa bases from around the 1730s, while the upper half is an inverted version of the same shape, but open at the top to receive the spittle. The ring moulding joining the two halves has the chevron inlay pattern common in bidri work and three horizontal rows of petals decorate the top and bottom of the upper section and the bottom of the foot. However, the bold diagonal bands of inlay in this nineteenth-century piece represent a departure from the floral motifs seen in most bidri ware.


Object details

Categories
Object type
TitleSpittoon
Materials and techniques
Bidri, inlaid with silver
Brief description
pikdan; Domestic, bidri ware, Bidar Deccan
Physical description
Diagonal design of the spittoon suggests European influence.
Dimensions
  • Height: 12.4cm
  • Diameter: 9.9cm
Credit line
Bequeathed by Mrs Jane Campbell, wife of Mr. Donald Campbell
Summary
The spittoon would have been used for collecting saliva produced by chewing paan. Spittoons used at court could be elaborately decorated. This example is of bidri ware, a metalworking technique named after the Deccani city of Bidar, where is traditionally thought to have originated. The bottom half of the spittoon resembles the bell shape often seen in huqqa bases from around the 1730s, while the upper half is an inverted version of the same shape, but open at the top to receive the spittle. The ring moulding joining the two halves has the chevron inlay pattern common in bidri work and three horizontal rows of petals decorate the top and bottom of the upper section and the bottom of the foot. However, the bold diagonal bands of inlay in this nineteenth-century piece represent a departure from the floral motifs seen in most bidri ware.
Bibliographic references
  • Swallow, Deborah and John Guy eds. Arts of India: 1550-1900. text by Rosemary Crill, John Guy, Veronica Murphy, Susan Stronge and Deborah Swallow. London : V&A Publications, 1990. 240 p., ill. ISBN 1851770224, p.224, pl.199.
  • Jackson, Anna and Ji Wei (eds.) with Rosemary Crill, Ainsley M. Cameron and Nicholas Barnard, compiled by the Palace Museum, translated by Yuan Hong, Qi Yue and Liu Ran. The Splendour of India' Royal Courts : Collection of the Victoria and Albert Museum. Beijing: the Forbidden City Publishing House, 2013. Text in English and Chinese. ISBN 9787513403917. pps. 64 and 65
Collection
Accession number
IS.105-1898

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Record createdFebruary 11, 2003
Record URL
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