Spittoon
Spittoon
first half 19th century (made)
first half 19th century (made)
Artist/Maker | |
Place of origin |
The spittoon would have been used for collecting saliva produced by chewing paan. Spittoons used at court could be elaborately decorated. This example is of bidri ware, a metalworking technique named after the Deccani city of Bidar, where is traditionally thought to have originated. The bottom half of the spittoon resembles the bell shape often seen in huqqa bases from around the 1730s, while the upper half is an inverted version of the same shape, but open at the top to receive the spittle. The ring moulding joining the two halves has the chevron inlay pattern common in bidri work and three horizontal rows of petals decorate the top and bottom of the upper section and the bottom of the foot. However, the bold diagonal bands of inlay in this nineteenth-century piece represent a departure from the floral motifs seen in most bidri ware.
Object details
Categories | |
Object type | |
Title | Spittoon |
Materials and techniques | Bidri, inlaid with silver |
Brief description | pikdan; Domestic, bidri ware, Bidar Deccan |
Physical description | Diagonal design of the spittoon suggests European influence. |
Dimensions |
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Credit line | Bequeathed by Mrs Jane Campbell, wife of Mr. Donald Campbell |
Object history | Placed in the Metal Room in the museum. Bequeathed by Mrs Jane Campbell, wife of Mr. Donald Campbell. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. |
Summary | The spittoon would have been used for collecting saliva produced by chewing paan. Spittoons used at court could be elaborately decorated. This example is of bidri ware, a metalworking technique named after the Deccani city of Bidar, where is traditionally thought to have originated. The bottom half of the spittoon resembles the bell shape often seen in huqqa bases from around the 1730s, while the upper half is an inverted version of the same shape, but open at the top to receive the spittle. The ring moulding joining the two halves has the chevron inlay pattern common in bidri work and three horizontal rows of petals decorate the top and bottom of the upper section and the bottom of the foot. However, the bold diagonal bands of inlay in this nineteenth-century piece represent a departure from the floral motifs seen in most bidri ware. |
Bibliographic references |
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Collection | |
Accession number | IS.105-1898 |
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Record created | February 11, 2003 |
Record URL |
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