Design for the interior of the Museum of Practical Geology, Jermyn Street, London
Architectural Design
19th century (drawn)
19th century (drawn)
Artist/Maker | |
Place of origin |
Henry Cole (1808-1882) and the Government School of Design put the style of the Italian Renaissance at the top of their design hierarchy. At the time Alfred Stevens (1817-1875) seemed to be its most promising exponent. His work set the style for the early buildings on the South Kensington Museum site. But he disagreed with Henry Cole over the methods of design teaching, which meant that he did not actually design any of the Museum’s structure. He did design the Museum of Practical Geology in Jermyn Street in the St James’s area of London. This museum contained examples of industrial and artistic products that were made from raw materials mined from the earth. The conscious mingling of Art, Science and Commerce was a very Victorian concept.
Object details
Categories | |
Object type | |
Title | Design for the interior of the Museum of Practical Geology, Jermyn Street, London (generic title) |
Materials and techniques | pen and ink, colour, paper, drawing |
Brief description | Design for the interior of the Museum of Practical Geology, Jermyn Street, London; pen and colours drawing by Alfred Stevens |
Physical description | pen and colour drawing on paper |
Dimensions |
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Style | |
Subject depicted | |
Place depicted | |
Summary | Henry Cole (1808-1882) and the Government School of Design put the style of the Italian Renaissance at the top of their design hierarchy. At the time Alfred Stevens (1817-1875) seemed to be its most promising exponent. His work set the style for the early buildings on the South Kensington Museum site. But he disagreed with Henry Cole over the methods of design teaching, which meant that he did not actually design any of the Museum’s structure. He did design the Museum of Practical Geology in Jermyn Street in the St James’s area of London. This museum contained examples of industrial and artistic products that were made from raw materials mined from the earth. The conscious mingling of Art, Science and Commerce was a very Victorian concept. |
Bibliographic reference | Victoria and Albert Museum, Department of Engraving, Illustration and Design, Accessions 1911, London, Printed for His Majesty’s Stationery Office 1912 |
Collection | |
Accession number | E.2114-1911 |
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Record created | February 3, 2003 |
Record URL |
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