Mug thumbnail 1
Not currently on display at the V&A

Mug

ca. 1840 (made)
Artist/Maker
Place of origin

The mug was manufactured around 1840-50 for use either in home or tavern. Britannia Metal is often mistaken for pewter. As an alloy consisting primarily of tin (around 95-97%) and containing copper and antimony (and no lead), Britannia Metal and modern pewter are virtually indistinguishable.

Much of the distinction between the two lies in the way they were produced. Pewter has always been most commonly cast in moulds. Britannia metal developed in Sheffield, a town with no established history of pewter production, in response to the Sheffield Plate industry (silver fused to copper). It borrowed much of the technology, employing die-stamps, rolling mills and fly presses. It could also be spun into shape over chucks and cast if necessary. In effect it was mass-produced pewter. Britannia metal was also manufactured as a base for electroplated wares. It was first developed by James Vickers in around 1790.

By the 1850s, the use of Britannia metal superseded pewter for cheap mass-produced items. In the 1886 novel Patience Wins (Blackie & Son Ltd, London, Glasgow and Dublin, 1886) George Manville Fenn describes how the hero comes across a Britannia Metal factory: "As I looked through into these works, one man was busy with sheets of rolled-out Britannia metal, thrusting them beneath a stamping press, and at every clang with which this came down a piece of metal like a perfectly flat spoon was cut out and fell aside, while at a corresponding press another man was holding a sheet, and as close as possible out of this he was stamping out flat forks, which, like the spoons, were borne to other presses with dies, and as the flat spoon or fork was thrust in it received a tremendous blow, which shaped the bowl and curved the handle, while men at vices and benches finished them off with files. ... in spite of the metal being cold, the heat of the friction, the speed at which it goes, and the ductility of the metal make it behave as if it were so much clay or putty."


Object details

Categories
Object type
Materials and techniques
Britannia metal, of sheet form raised and soldered as a tapering cylinder, with cast handle, foot and lip, and engraved 'wrigglework' ornament
Brief description
Half pint mug of Britannia Metal with engraved body, England, ca.1840-50
Physical description
Britannia metal half pint mug with cylindrical body tapering upwards with a vertical seam running down to the left of the handle. The foot is circular and tiered upwards and has been soldered to the body after the inclusion of a base inside the mug, so that the base is double-skinned. The lip of the mug has been cast and soldered to the body. The handle was cast in a two-part mould and has a flat thumbpiece.

Below the lip and above the base of the tankard are two bands of engraved ornament resembling pewter 'wrigglework' (freehand ornament made by walking a sharp tool in a zigzag motion along the surface) consisting of a wavy line with dots in the recesses above and below. In the centre of the body, opposite the handle, is a large circular cartouche (left blank) with an engraved acanthus leaf ornament flanking each side.
Dimensions
  • Height: 9.3cm
Style
Marks and inscriptions
HPINT (Stamped below lip to mean Half Pint capacity)
Credit line
Jerome Bequest.
Object history
The mug was manufactured around 1840 for use either in home or tavern. Its HPINT mark shows it was of an approved capacity and could be used commercially for the serving of ale.

Historical significance: The mug represents major technological change in metalworking. Britannia Metal is often mistaken for pewter. As an alloy consisting primarily of tin (around 95-97%) and containing copper and antimony (and no lead), Britannia Metal and modern pewter are virtually indistinguishable.

However, much of the distinction between the two lies in their histories of production. Pewter has always been more commonly cast in moulds than produced using other techniques. Britannia metal developed in Sheffield, a town with no established history of pewter production, in response to the Sheffield Plate industry (silver fused to copper). It borrowed much of the technology, employing die-stamps, rolling mills and fly presses. It could also be spun into shape over chucks and cast if necessary. In effect it was mass-produced pewter. Britannia metal was also manufactured as a base for electroplated wares. It was first developed by James Vickers in around 1790. By the 1850s, Britannia Metal superseded pewter for the production of household items.
Historical context
By the 1850s, the use of Britannia metal superseded pewter for cheap mass-produced items. In the 1886 novel Patience Wins (Blackie & Son Ltd, London, Glasgow and Dublin, 1886) George Manville Fenn describes how the hero comes across a Britannia Metal factory: "As I looked through into these works, one man was busy with sheets of rolled-out Britannia metal, thrusting them beneath a stamping press, and at every clang with which this came down a piece of metal like a perfectly flat spoon was cut out and fell aside, while at a corresponding press another man was holding a sheet, and as close as possible out of this he was stamping out flat forks, which, like the spoons, were borne to other presses with dies, and as the flat spoon or fork was thrust in it received a tremendous blow, which shaped the bowl and curved the handle, while men at vices and benches finished them off with files. ... in spite of the metal being cold, the heat of the friction, the speed at which it goes, and the ductility of the metal make it behave as if it were so much clay or putty."

Britannia Metal's light robustness even came to the attention of Charles Dickens. 'Pleasantry, sir!' exclaimed Pott with a motion of the hand, indicative of a strong desire to hurl the Britannia metal teapot at the head of the visitor. 'Pleasantry, sir! - But - no, I will be calm; I will be calm, Sir;' in proof of his calmness, Mr. Pott flung himself into a chair, and foamed at the mouth. (The Pickwick Papers, Chapter 18)
Subject depicted
Summary
The mug was manufactured around 1840-50 for use either in home or tavern. Britannia Metal is often mistaken for pewter. As an alloy consisting primarily of tin (around 95-97%) and containing copper and antimony (and no lead), Britannia Metal and modern pewter are virtually indistinguishable.

Much of the distinction between the two lies in the way they were produced. Pewter has always been most commonly cast in moulds. Britannia metal developed in Sheffield, a town with no established history of pewter production, in response to the Sheffield Plate industry (silver fused to copper). It borrowed much of the technology, employing die-stamps, rolling mills and fly presses. It could also be spun into shape over chucks and cast if necessary. In effect it was mass-produced pewter. Britannia metal was also manufactured as a base for electroplated wares. It was first developed by James Vickers in around 1790.

By the 1850s, the use of Britannia metal superseded pewter for cheap mass-produced items. In the 1886 novel Patience Wins (Blackie & Son Ltd, London, Glasgow and Dublin, 1886) George Manville Fenn describes how the hero comes across a Britannia Metal factory: "As I looked through into these works, one man was busy with sheets of rolled-out Britannia metal, thrusting them beneath a stamping press, and at every clang with which this came down a piece of metal like a perfectly flat spoon was cut out and fell aside, while at a corresponding press another man was holding a sheet, and as close as possible out of this he was stamping out flat forks, which, like the spoons, were borne to other presses with dies, and as the flat spoon or fork was thrust in it received a tremendous blow, which shaped the bowl and curved the handle, while men at vices and benches finished them off with files. ... in spite of the metal being cold, the heat of the friction, the speed at which it goes, and the ductility of the metal make it behave as if it were so much clay or putty."
Bibliographic references
  • North, Anthony, Pewter at the Victoria & Albert Museum, London, V&A Publications 1999 (Reprinted 2000), cat. 153, ill. ISBN 185177 2235
  • Peal, Christopher A., British Pewter and Britannia Metal, London, John Gifford 1971, SBN 70710172 7, Chapter 10
  • Scott, Jack L., Pewter Wares From Sheffield, Baltimore, Antiquary Press 1980
  • Lamb, David, 'Britannia Metal - Cinderella of Antiques', The Journal of the Pewter Society, Volume 5, No. 1, Spring 1985, pp. 1-12
Collection
Accession number
M.17-1998

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Record createdJanuary 31, 2003
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