Bowl thumbnail 1
Bowl thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Islamic Middle East, Room 42, The Jameel Gallery

Bowl

10th century (made)
Artist/Maker
Place of origin

This bowl features an image of a seated drinker, who is depicted in a rather naïve style. The bowl belongs to a type of Islamic pottery known as Abbasid lustreware, which was produced in Iraq after the Abbasid dynasty of caliphs had established their capital there in AD 750. During this period, Iraqi potters developed a type of earthenware with an opaque white glaze in imitation of the white porcelains then being imported from China. They subsequently applied the technique of staining glass with metallic pigments to this whiteware and in the process created the world's first lustre-painted ceramics.

The decoration here is in the monochrome yellow lustre typical of surviving Abbasid lustrewares. After a short period of experimenting with polychrome and two-colour lustre decoration, Abbasid potters settled on this yellow pigment. The reason may have been its greater dependability during the firing phase. The more likely reason, however, was that it resembled gold. Achieving a high quality yellow-gold lustre was difficult, because the lustre will not develop properly unless the firing conditions are precise. It was also expensive, since the pigment used was silver oxide. These wares also cost a good deal to produce because the tin oxide required to make the glaze opaque and white had to be imported.


Object details

Categories
Object type
Materials and techniques
Tin-glazed earthenware (fritware) with lustre decoration
Brief description
Bowl, whiteware, painted in gold lustre with a seated figure holding a goblet; Iraq (probably Basra), 10th century.
Physical description
Bowl, buff-coloured earthenware (fritware), covered with a tin-opacified glaze, the glazed surface painted a yellow-gold lustre depicting a seated figure holding a goblet within contour panels against a dotted ground.
Dimensions
  • Diameter: 16.2cm
  • Near feet of figure height: 5cm
  • Near head of figure height: 4.6cm
Styles
Gallery label
  • Jameel Gallery 5-6 Whiteware Bowls with Lustre Iraq, probably Basra 900-1000 The two bowls represent a later phase in Iraqi lustre production. Only one metallic pigment was used, but it has a more reflective surface. The decoration was inspired by silverware of the period, which was sometimes decorated with humans and animals. Even the dotted backgrounds reproduce the texturing of silver. Earthenware with lustre painted over and cobalt (9) into the opaque glaze Museum nos. C.350-1930; C.62-1981(Jameel Gallery)
  • BOWl, earthenware with lustre decoration. MESOPOTAMIAN; 10th century.(Old gallery label)
Historical context
Bears label with initials "PH" in monogram.
Subject depicted
Summary
This bowl features an image of a seated drinker, who is depicted in a rather naïve style. The bowl belongs to a type of Islamic pottery known as Abbasid lustreware, which was produced in Iraq after the Abbasid dynasty of caliphs had established their capital there in AD 750. During this period, Iraqi potters developed a type of earthenware with an opaque white glaze in imitation of the white porcelains then being imported from China. They subsequently applied the technique of staining glass with metallic pigments to this whiteware and in the process created the world's first lustre-painted ceramics.

The decoration here is in the monochrome yellow lustre typical of surviving Abbasid lustrewares. After a short period of experimenting with polychrome and two-colour lustre decoration, Abbasid potters settled on this yellow pigment. The reason may have been its greater dependability during the firing phase. The more likely reason, however, was that it resembled gold. Achieving a high quality yellow-gold lustre was difficult, because the lustre will not develop properly unless the firing conditions are precise. It was also expensive, since the pigment used was silver oxide. These wares also cost a good deal to produce because the tin oxide required to make the glaze opaque and white had to be imported.
Bibliographic reference
Oliver Watson, "Acquisitions in the Department of Ceramics at the V&A, 1981-2", Burlington Magazine, May, 1983, p. 289
Collection
Accession number
C.62-1981

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Record createdJanuary 28, 1998
Record URL
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