Bowl
9th century (made)
| Artist/Maker | |
| Place of origin |
Glazed ceramics were not widely used in the pre-Islamic Middle East, but in the 8th and 9th centuries, they began to assume the important role they have today.
High-fired ceramics from China, first brought to Iraq by sea in the 8th century, were one stimulus for this change. In the early 9th century Iraqi potters began to imitate elegant white bowls imported from China. They used the local yellow clay, which they masked with an opaque white glaze. Soon they began to add new forms and decoration of different types in blue, green and metallic lustre.
Once Iraqi potters could successfully imitate Chinese whiteware, they began to treat the white surface of their ceramics as a blank canvas. Painting into the glaze in cobalt blue was a local innovation, which resulted in the world's first blue-and-white ceramics.
High-fired ceramics from China, first brought to Iraq by sea in the 8th century, were one stimulus for this change. In the early 9th century Iraqi potters began to imitate elegant white bowls imported from China. They used the local yellow clay, which they masked with an opaque white glaze. Soon they began to add new forms and decoration of different types in blue, green and metallic lustre.
Once Iraqi potters could successfully imitate Chinese whiteware, they began to treat the white surface of their ceramics as a blank canvas. Painting into the glaze in cobalt blue was a local innovation, which resulted in the world's first blue-and-white ceramics.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Tin-glazed earthenware with in-painted decoration |
| Brief description | Bowl, whiteware with blue-painted geometric design; Iraq (probably Basra), 9th century. |
| Physical description | Bowl, buff-coloured earthenware, covered with opaque white slip and in-painted in cobalt blue pigment with a foliate device within a six-pointed star, with six hatched triangles each terminating in a round loop. Restoration |
| Dimensions |
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| Styles | |
| Gallery label |
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| Object history | Purchased for £13.10.0 from A. Garabed, 41 Chipstone St, W1. Garabed was an Armenian dealer who sold Islamic wares to the British Museum and the V&A, c. 1923-58. |
| Historical context | Long-haul trading voyages to China were underway from as early as the eighth century, and Chinese porcelains were imported into the Abbasid imperial cities. These porcelains were so admired that Islamic potters began to experiment with imitating their bright whiteness, and consequently invented the technique of opacifying the glaze by adding particles of tin. This provided a blank ‘canvas’, to which the potters soon began to add decoration in cobalt blue. The Abbasid wares have long been thought of as the world’s first blue-and-white, though it is still unknown whether or not ninth-century Chinese ceramics with blue decoration came first. |
| Subjects depicted | |
| Summary | Glazed ceramics were not widely used in the pre-Islamic Middle East, but in the 8th and 9th centuries, they began to assume the important role they have today. High-fired ceramics from China, first brought to Iraq by sea in the 8th century, were one stimulus for this change. In the early 9th century Iraqi potters began to imitate elegant white bowls imported from China. They used the local yellow clay, which they masked with an opaque white glaze. Soon they began to add new forms and decoration of different types in blue, green and metallic lustre. Once Iraqi potters could successfully imitate Chinese whiteware, they began to treat the white surface of their ceramics as a blank canvas. Painting into the glaze in cobalt blue was a local innovation, which resulted in the world's first blue-and-white ceramics. |
| Bibliographic reference | Tim Stanley (ed.), with Mariam Rosser-Owen and Stephen Vernoit, Palace and Mosque: Islamic Art from the Middle East, London, V&A Publications, 2004
p.112 |
| Collection | |
| Accession number | C.1447-1924 |
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| Record created | January 28, 1998 |
| Record URL |
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