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Chasuble, Stole and Maniple thumbnail 2
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Chasuble, Stole and Maniple

ca. 1780 (made)
Artist/Maker
Place of origin

The painting on this Christian vestment was clearly executed with the final shape of the garment in mind. China was a major source of painted silk during the late 18th and 19th centuries, and vestments made there were used by Christian communities in Asia, Europe and also the Spanish Americas as far north as California. The floral decoration on this chasuble apears to be have no specifically Christian symbolism.


Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Chasuble
  • Fragments
  • Stole
  • Maniple
Materials and techniques
Painted silk satin
Brief description
Chasuble, stole and maniple, painted silk satin, Guangzhou, China, Qing dynasty, Qianlong period, ca. 1780
Physical description
Part of a set of vestments for low mass (part), comprising chasuble, stole, maniple, chalice veil and burse. Symmetrical pattern (outlined in silver) of peonies, lotuses and other flowers. Lined with red silk, two red silk tying-strings.
Style
Object history
Purchased (T.89 to 93-1923, £13 10s.). Registered File number 1923/3544.

A duplicate set was purchased at the same time for Circulation, and numbered CIRC.624 to 629-1923.
Subject depicted
Summary
The painting on this Christian vestment was clearly executed with the final shape of the garment in mind. China was a major source of painted silk during the late 18th and 19th centuries, and vestments made there were used by Christian communities in Asia, Europe and also the Spanish Americas as far north as California. The floral decoration on this chasuble apears to be have no specifically Christian symbolism.
Associated objects
Bibliographic reference
Clunas, Craig, ed. Chinese exports art and design. London:Victoria and Albert Museum, 1987, figs. 8, 9.
Collection
Accession number
T.89:1, 2; 90, 91-1923

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Record createdJanuary 21, 2003
Record URL
Download as: JSONIIIF Manifest