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Senegalese Elephant

Statuette
ca. 1874 (modelled), ca. 1882 (cast), (cast)
Artist/Maker
Place of origin

Barye was a prolific artist and famous for his 'animalier' sculptures. This bronze figure is the 'Elephant du Sénégal' [Senegalise Elephant] modelled shortly before 1865. This cast bears the stamp of Barbédienne whose foundry, established in 1838, employed three-hundred workmen and produced over one thousand bronzes each year. Large 'editions' of bronzes, made possible by the development of mechanical scale reduction techniques in the 1830s, supplied the growing market for bronzes to decorate bourgeois interiors. The compositions of Barye, whose models were taken over Barbédienne on the sculptor's death in 1875, were among the most popular.


Object details

Categories
Object type
TitleSenegalese Elephant (generic title)
Materials and techniques
Bronze
Brief description
Senegalese Elephant, bronze, modelled by Antoine-Louis Barye (1796-1875) shortly before 1874 and cast by Ferdinand Barbedienne (1810-1892) in Paris, France, in about 1882
Physical description
Bronze statuette of an African elephant, bearing the gilt stamp of Barbedienne's foundry
Dimensions
  • Length: 19cm
  • Width: 9cm
  • Height: 15cm
Dimensions were taken by SCP on 25.02.15 for Bronze Zoo: A Sculptural Menagerie
Marks and inscriptions
BARYE signature cast through from the model. Inset with a rectangular gilt ‘FB’ seal (Gilt stamp of Barbedienne's foundry)
Gallery label
  • Gallery 101, Nineteenth Century Europe 20 Bronze Figure: ‘Senegal Elephant’ After 1874, from a model created before 1865 At the 1855 Paris exhibition Barye was both a member of the selection jury and a winner of the Grand Medal of Honour. He was highly successful in exploiting the new techniques that allowed sculptures to be mechanically copied in different sizes. Large editions of affordable bronzes remained in production over several years. France, Paris; designed by Antoine-Louis Barye; cast by Ferdinand Barbedienne Bronze With the gilt cachet (stamp) of the Barbedienne foundry Museum no. S.EX.62-1882 (2006-2016)
  • 'American and European Art and Design 1800-1900' A version of this African elephant was included in the catalogue issued by Barye in 1855. This cast bears the gilt stamp of Barbédienne whose foundry, established in 1838, employed 300 workmen and produced over 1000 bronzes each year. Large 'editions' of bronzes, made possible by the development of mechanical scale reduction techniques in the 1830s, supplied the growing market for bronzes to decorate bourgeois interiors. The compositions of Barye, whose models were taken over by Barbédienne on the sculptor's death in 1875, were among the most popular.(1987-2006)
Object history
A version of this African elephant was included in the catalogue issued by Barye in 1855. This cast bears the gilt stamp of Barbédienne.

Purchased from the Barbedienne Foundry in 1882 for use as a Schools Example. Transferred to the V&A’s Circulation Department in 1914 and later to the Sculpture Department in 1982.
Historical context
Barbedienne's foundry, established in 1838, employed 300 workmen and produced over 1000 bronzes each year. Large 'editions' of bronzes, made possible by the development of mechanical scale reduction techniques in the 1830s, supplied the growing market for bronzes to decorate bourgeois interiors. The compositions of Barye, whose models were taken over by Barbédienne on the sculptor's death in 1875, were among the most popular.
Subject depicted
Summary
Barye was a prolific artist and famous for his 'animalier' sculptures. This bronze figure is the 'Elephant du Sénégal' [Senegalise Elephant] modelled shortly before 1865. This cast bears the stamp of Barbédienne whose foundry, established in 1838, employed three-hundred workmen and produced over one thousand bronzes each year. Large 'editions' of bronzes, made possible by the development of mechanical scale reduction techniques in the 1830s, supplied the growing market for bronzes to decorate bourgeois interiors. The compositions of Barye, whose models were taken over Barbédienne on the sculptor's death in 1875, were among the most popular.
Bibliographic references
  • Poletti, M, Richarme, A. Barye. Catalogue raisonné des sculptures. Paris. 2000. Cat. No. A119
  • Pivar, S. The Barye Bronzes. Wordbudge. 1074. pp.159, 270, 280
  • Allin, Michael. Zarafa: A Giraffe's True Story, from Deep in Africa to the Heart of Paris. 1999.
Collection
Accession number
S.EX.62-1882

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Record createdJanuary 21, 2003
Record URL
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