This is a portrait bust of one of the sons of Leonard William Collmann, Herbert Collman (dates unknown). Stevens produced painted portraits of Collmann and his wife around 1854, and it is possible that this plaster bust of their son was also made at about this time. Collmann, an architect and decorator, was a friend of Stevens. He often acted as an intermediary in commissions for works from the sculptor.

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.
The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.