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Pastoral staff and case

  • Place of origin:

    Italy (Venice, made)

  • Date:

    about 1370 (made)

  • Artist/Maker:

    unknown (production)

  • Materials and Techniques:

    Ivory, carved, painted and gilded

  • Credit Line:

    George Salting Bequest

  • Museum number:

    A.547&A-1910

  • Gallery location:

    Medieval and Renaissance, room 50d, case 1

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As indicated by the coat of arms on the case, this finely carved crosier once belonged to Giovanni Benci Carrucci Aldobrandini, bishop of Gubbio (Umbria, central Italy) between 1370 and 1375. The volute is decorated with an openwork representation of the Adoration of the Magi, and inscribed on both sides with a portion of the Collect for the Epiphany. The half-length figures of Christ and prophets in foliate shoots are also found in other Venetian crosiers dating from the same period.

Physical description

The volute, which issues from the mouth of a dragon, is surmounted by half-length figures of Christ between David and Salomon. It encloses an openwork representation of the Adoration of the Magi with the star above and is decorated with the following inscription, a portion of the Collect for the Epiphany: DEVS.QVI.HODIERNA DIE.VNIGENITVM.TVVR.GENTIBVS.STELLA.DVCE on the front side, and REVELASTI.CONCEDE.PROPITIVS.VT.QVI.IAM.TE.EX.FIDE.COGNO [vimus…] on the back (O god, who on his day by the leading of a star didst manifest thine only-begotten son to the gentiles; mercifully grant that we who know thee by faith, [may be brought to the contemplation of the beauty of thy majesty]). The knop is carved on each face with a writing Evangelist seated beneath a trefoil arch. Four foliate shoots and additional prophets are now missing around the lower part of the volute: three ivory pegs remain.
The stem, divided into four sections that screw together, is painted with dragons, birds, and faded leafy stems.
The cuir bouilli case is decorated with various animals amid leafy scrolls and with the arms of the Aldobrandini family (azur a bend counter-embattled or between six mullets of the same ranged in the orle). The interior is divided into five compartments, a central one for the head of the crosier and four circular ones for the sections of the staff.

Place of Origin

Italy (Venice, made)

Date

about 1370 (made)

Artist/maker

unknown (production)

Materials and Techniques

Ivory, carved, painted and gilded

Marks and inscriptions

DEVS . QVI . HODIERNA DIE . VNIGENITVM . TVVR GENTIBVS . STELLA . DVCE'
'REVELASTI . CONCEDE . PROPICIVS VT . QVI . IAN TE . EX . FIDE . COGNO'

Dimensions

Height: 187.96 cm Height of staff, Width: 13.97 cm Height of staff

Object history note

The heads of Christ and Solomon and the two foliate shoots are either late-nineteenth-century replacements or were broken before 1880 and subsequently restored.
Four foliate shoots and additional prophets are missing around the lower part of the volute, and three ivory pegs remain.
Formerly Spitzer collection, then Salting collection. Bequeathed to the V&A by Salting.

Historical significance: The coat of arms on the case identifies the crosier as having belonged to Giovanni Benci Carrucci Aldobrandini, bishop of Gubbio (Umbria, central Italy) between 1370 and 1375. Venetian elements such as the half-length figures of Christ and prophets in foliate shoots also feature in other crosiers, such as those in the Museo Nazionale del Bargello, Florence, The Walters Art Gallery, Baltimore and in a private collection, New York. The figure style and painting of these crosiers is close to that of the Venetian triptych with the Coronation of the Virgin, datable to 1360-70 (V&A, 143-1866).

Descriptive line

Pastoral staff and case, ivory, Italy (Venice), about 1370

Bibliographic References (Citation, Note/Abstract, NAL no)

Cott, P. B. Siculo-Arabic Ivories (Princeton, 1939), pp. 477-78, fig. 15
Gaborit-Chopin, D. Ivoires du moyen âge (Fribourg, 1978), p. 211
Williamson, P. Avori italiani e cuoi francesi, in Pace, V. and Bagnoli, M. (eds.) Il Gotico europeo in Italia (Naples, 1994), p. 293, fig. 2, p. 294
Williamson, P. in Barnet, P. (ed) Images in ivory. Precious objects of the Gothic Age, exh. cat. (Detroit, 1997), p. 215-6, no. 50
'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, pp. 89-90
Longhurst, Margaret H. Catalogue of Carvings in Ivory. Part II. London: Victoria and Albert Museum, 1929, p. 60

Exhibition History

Depth of Field: the Place of Relief in the Time of Donatello (Henry Moore Institute, Leeds 23/09/2004-27/03/2005)
Images in Ivory: Precious Objects of the Gothic Age. (The Walters Art Gallery 22/06/1997-31/08/1997)
Images in Ivory: Precious Objects of the Gothic Age. (Detroit Institute of Arts 09/03/1997-25/05/1997)

Materials

Ivory; Gilt

Techniques

Painting; Gilding

Subjects depicted

Mary (Virgin Mary); Dragon; Jesus

Categories

Sculpture; Christianity; Accessories

Collection code

SCP

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Qr_O72938
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