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Medal - The John Charles Robinson Medal
  • The John Charles Robinson Medal
    Powell, Felicity, born 1961 - died 2015
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The John Charles Robinson Medal

  • Object:


  • Place of origin:

    London (made)

  • Date:

    2002 (made)

  • Artist/Maker:

    Powell, Felicity, born 1961 - died 2015 (artist)
    Dunn, Alan (casters)

  • Materials and Techniques:

    Hollow cast bronze, copper sulphate patina applied with heat

  • Credit Line:

    Commissioned by the Museum with funding from an anonymous donor.

  • Museum number:


  • Gallery location:

    Sculpture, Room 111, The Gilbert Bayes Gallery, case DR11

This medal, commemorating John Charles Robinson (1824-1913), was commissioned by the V&A from the artist Felicity Powell (1961-2015) in 2002, with funds donated from an anonymous donor. Robinson was Curator of Sculpture at the South Kensington Museum (now the V&A) and acquired many important works for the collection in the 1850s and 1860s. On the reverse of the medal the artist has used as inspiration the hands from the carved figures in the Annunciation by Arnolfo di Cambio of about 1300. Robinson bought this work for the Museum in 1861 (see inv.no.7563-1861). The reverse replicates the handwriting of John Charles Robinson taken from his letter, dated 6 September 1886, Madrid to the Museum, 'Now Is the Time'. Surface treatments greatly affect the viewer's appreciaion of a medal. Here Powell has applied a copper nitrate solution, under heat, to give a greenish-blue patination. Unusually, she has left the edge unpatinated. Instead, she has polished it and stamped it with Robinson's full name and dates, adding also the cryptic message 'From Few to Many'. For further entries relating to the processes involved in the making of the medal, see inv.nos. A.6 to A.9-2002, and A.10 to A.11-2004.

Physical description

A circular cast medal c. 115 mm diameter, rounded profile, with copper nitrate patination to both faces and bright bronze edge.
Obverse: replicates the handwriting of John Charles Robinson (1824-1913) taken from his letter, dated 6 September 1886, Madrid, to the Museum, 'Now is the time'.
Reverse: five hands gesturing. Composition taken from The Annunciation (7563-1861 from the workshop of Arnolfio Cambio in a relief style inspired by the Donatello marble relief Ascension with Christ giving keys to St Peter (7629-1861)
Edge stamped: 'JOHN CHARLES ROBINSON 1824-1913' and 'FROM FEW TO MANY' and artist's mark 'FP 2002'.

Place of Origin

London (made)


2002 (made)


Powell, Felicity, born 1961 - died 2015 (artist)
Dunn, Alan (casters)

Materials and Techniques

Hollow cast bronze, copper sulphate patina applied with heat

Marks and inscriptions

Decoration; Edge; stamped


Diameter: 11.5 cm

Object history note

This is the first commission of a contemporary medal made by the Sculpture collection. The commission was entirely supported by an anonymous donor. A further ten medals were cast to be presented as a gift to major donors of the Museum.

Historical significance: Felicity Powell (1961-2015) creates small-scale sculpture, building on the Renaissance practice of medal-making, to produce thoughtful objects with a distinctively poetic resonance.

Unlike traditional commemorative medals, this object does not carry a portrait of the person, and unlike most medals it does not have an obvious obverse and reverse sides. The phrase 'Now is the time', (taken from a manuscript letter dated 6 September 1866 written by Robinson to the Museum and now in the National Art Library) underscored by Robinson to stress the urgency and strength of feeling expressed by the words, is as much a portrait of the man and his state of mind at the time of writing, as a physical likeness. This side is actually the obverse. The reverse of the medal is inspired by objects Robinson acquired for the collection. The shallow relief style of the hands is derived from Donatello's The Ascension with Christ giving the Keys to St Peter (Museum no. 7629-1861) and the gestures depicted by the hands are taken from an Annunciation group from the Workshop of Arnolfo di Cambio (Museum no. 7563-1861). In the artist's own words, 'the hands signify the generosity of gesture and of passing the legacy on for future generations'.
The phrase on this medal ‘FROM FEW TO MANY’, words chosen by the artist, can be interpreted in several ways, but one of its meanings is a reference to the anonymous donor whose generosity began the whole story.

Historical context note

The medal links contemporary medal-making with the history of the V&A. It commemorates John Charles, later Sir Charles, Robinson, 1824-1913, first curator at the South Kensington Museum (now V&A) from 1857 to 1863 and who had a significant impact in developing the collections of Sculpture, particularly of the Renaissance.

Descriptive line

Medal, bronze cast, copper nitrate patina, commemorating Sir John Charles Robinson, by Felicity Powell, Britain, 2002.

Bibliographic References (Citation, Note/Abstract, NAL no)

Helen Davies, ‘Robinson, Sir John Charles (1824–1913)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/35795, accessed 19 March 2010]
Marjorie Trusted (ed.), The Making of Sculpture: The Materials and Techniques of European Sculpture, London, 2007, p. 78
Roth, Nancy, '"Now is the time", Felicity Powell's tribute to John Charles Robinson', The Medal, no. 42, Spring 2003, pp. 75-82
Powell, Felicity, 'Drawn from the Well: photographing sculpture, a sculptural practice', Sculpture Journal, 15:2, 2006, 123-6
Williamson, Paul, ‘Recent Acquisitions (2000-06) of sculpture at the Victoria & Albert Museum, London’, in: The Burlington Magazine, CXLVIII, December, 2006, p. 894, fig XVII
Melanie Vandenbrouck, 'Haptic pleasures: the medal as a hand-held object', in Médailles, 2012, pp. 181-188 (pp.182-183).





Subjects depicted



Coins & Medals; Sculpture

Production Type

Limited edition


Sculpture Collection

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