Queen Anne (r. 1702-1714) thumbnail 1
Not currently on display at the V&A

Queen Anne (r. 1702-1714)

Medallion
1705 (made)
Artist/Maker
Place of origin

This portrait medallion moulded by John Obrisset, probably after a model by John Croker (1670-1741) was struck (impressed) about 1707 to commemorate the political union that year of Scotland and England. A tobacco box survives, attributed to Obrisset, that has a portrait of Queen Anne in pressed horn taken from the same source as this medallion. A closely related medallion, similarly signed 'O.B.' and dated 1705, that forms the top to a tortoiseshell snuff box in the Museum (inv.no. 305-1875) is thought to have been taken from a die cut by Obrisset. Medallions depicting Queen Anne taken from Obrisset's moulds are also to be found in silver and tortoiseshell. He probably came from a family of artists (Aubrisset) in Dieppe, and may have been one of many Huguenots (French Protestants) forced to emigrate to England and elsewhere after 1685 because of renewed persecution in France. Little is known of his life and work; he specialised in pressed horn and tortoiseshell portraits.


Object details

Categories
Object type
TitleQueen Anne (r. 1702-1714) (generic title)
Materials and techniques
Pressed tortoiseshell
Brief description
Medallion, pressed tortoiseshell, Queen Anne, from a die moulded by John Obrisset, probably after a model by John Croker, English, 1705
Physical description
Bust in relief facing to the left, wearing a crown, a robe trimmed with pearls and a scarf round the shoulders.
Dimensions
  • Height: 6.55cm
  • Width: 51mm
Credit line
Bequeathed by Miss Benett
Object history
Bequeathed by Miss Benett in 1924.
Production
From a die moulded by John Obrisset, probably after a model by John Croker
Subject depicted
Summary
This portrait medallion moulded by John Obrisset, probably after a model by John Croker (1670-1741) was struck (impressed) about 1707 to commemorate the political union that year of Scotland and England. A tobacco box survives, attributed to Obrisset, that has a portrait of Queen Anne in pressed horn taken from the same source as this medallion. A closely related medallion, similarly signed 'O.B.' and dated 1705, that forms the top to a tortoiseshell snuff box in the Museum (inv.no. 305-1875) is thought to have been taken from a die cut by Obrisset. Medallions depicting Queen Anne taken from Obrisset's moulds are also to be found in silver and tortoiseshell. He probably came from a family of artists (Aubrisset) in Dieppe, and may have been one of many Huguenots (French Protestants) forced to emigrate to England and elsewhere after 1685 because of renewed persecution in France. Little is known of his life and work; he specialised in pressed horn and tortoiseshell portraits.
Bibliographic references
  • Bilbey, Diane and Trusted Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London, 2002. p. 110, cat. no. 150
  • Phillips, P. A. S. John Obrisset, Huguenot, carver, medallist, horn & tortoiseshell worker, & snuff-box maker, with examples of his works dated 1705-1728. London, 1931.
  • Read, C. H. English work in impressed horn. In: Church, A. H. Some minor arts as practised in England. London, 1894.
  • Review [1911-1938], Victoria & Albert Museum. Review of the Principal Acquisitions during the Year, London, 1924, p. 6
Collection
Accession number
A.17-1924

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Record createdJanuary 13, 2003
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