Not currently on display at the V&A

Equestrian statuette of George III (r. 1760-1820)

Statuette
ca. 1831 (made)
Artist/Maker
Place of origin

In 1831 a colossal statue of King George III on horseback, commissioned from Sir Richard Westmacott (1775-1856) by George IV, was erected at Snow Hill, Windsor, Berkshire. This present statuette, although carved in wood, is in the long tradition of the bronze equestrian statuette, and it appears to be a reduced copy of Westmacott's colossal original. The sculptor is unknown, but it was probably made about 1831.

The Westmacott was a prominent family of eighteenth- and nineteenth-century English sculptors. Sir Richard Westmacott was trained at Rome under Canova, then member of the Academy of Florence. He returned to London in 1797 and became a prolific worker and had a large and prosperous practice second only to Chantrey's. He succeeded Flaxman as Academy Professor of Sculpture in 1827.


Object details

Categories
Object type
TitleEquestrian statuette of George III (r. 1760-1820) (named collection)
Materials and techniques
Sycamore wood
Brief description
Statuette, wood, George III on horseback, anonymous, after Sir Richard Westmacott, Britain, ca. 1831
Physical description
Statue, sycamore wood, George III on horseback. Right hand ofd the figure missing Traces of paint on the horse.
Dimensions
  • Height: 55.5cm
Object history
Purchased from Mr Gerald Kerin in 1937 for £10.
Production
After Sir Richard Westmacott
Subjects depicted
Summary
In 1831 a colossal statue of King George III on horseback, commissioned from Sir Richard Westmacott (1775-1856) by George IV, was erected at Snow Hill, Windsor, Berkshire. This present statuette, although carved in wood, is in the long tradition of the bronze equestrian statuette, and it appears to be a reduced copy of Westmacott's colossal original. The sculptor is unknown, but it was probably made about 1831.

The Westmacott was a prominent family of eighteenth- and nineteenth-century English sculptors. Sir Richard Westmacott was trained at Rome under Canova, then member of the Academy of Florence. He returned to London in 1797 and became a prolific worker and had a large and prosperous practice second only to Chantrey's. He succeeded Flaxman as Academy Professor of Sculpture in 1827.
Bibliographic references
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum London: V&A, 2002, p. 431, cat. no. 704
  • Busco, M., Sir Richard Westmacott, Sculptor, Cambridge, 1994, pp. 68,9, figs. 54 & 55
Collection
Accession number
A.85-1937

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Record createdJanuary 13, 2003
Record URL
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