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Drawing

ca. 1900 (made)
Artist/Maker
Place of origin

Painting, watercolour on paper, an illustration of 19th century life in Calcutta, depicting a courtesan trampling on her lover, drawn in large washes of colour with little shading. A satirical scene of modern Calcutta life. The picutre is a satire of the 'Nabya Babu' or newly westernized dandy culture of the contemporary Calcutta society. The 'Babu' is sporting 'Albert' hair-style, after the Prince Consort and suitably dressed for the period. He is completely under her influence, so much so that she can walk all over him. A parallel is drawn between Goddess Kali trampling over prostrate Shiva.


Object details

Categories
Object type
Materials and techniques
Painted in watercolour on paper
Brief description
Painting, courtesan trampling on lover, by Kali Charan Ghosh, watercolour on paper, Kalighat, Kolkata, ca. 1900
Physical description
Painting, watercolour on paper, an illustration of 19th century life in Calcutta, depicting a courtesan trampling on her lover, drawn in large washes of colour with little shading. A satirical scene of modern Calcutta life. The picutre is a satire of the 'Nabya Babu' or newly westernized dandy culture of the contemporary Calcutta society. The 'Babu' is sporting 'Albert' hair-style, after the Prince Consort and suitably dressed for the period. He is completely under her influence, so much so that she can walk all over him. A parallel is drawn between Goddess Kali trampling over prostrate Shiva.
Dimensions
  • Height: 18in
  • Width: 10.75in
Content description
A courtesan trampling on her lover.
Style
Credit line
Given by W.G. Archer.
Object history
From the W.G. Archer collection, given in 1952. Purchased at Kalighat in 1932 from the family of of the artist, Kali Charam Ghosh (1844 - 1930).

Historical significance: Calcutta was the capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.
Subjects depicted
Bibliographic references
  • Arts of Bengal : the heritage of Bangladesh and eastern India : an exhibition organized by the Whitechapel Art Gallery in collaboration with the Victoria and Albert Museum : 9 November-30 December 1979, Whitechapel Art Gallery ..., 12 January-17 February 1980, Manchester City Art Gallery ... . [London]: Whitechapel Art Gallery, [1979] Number: 085488047X (pbk.) : p.52
  • Sinha, Suhashini, and Panda, C, eds. Kalighat Paintings from the collection of the Victoria and Albert Museum, London and Victoria Memorial Hall, Kolkata. London: Victoria and Albert Museum, 2012. ISBN 1851776656. p.94
  • Kalighat paintings : a catalogue and introduction / by W.G. Archer. London: H. M. Stationery Office, 1971 Number: 0112900291 : fig. 77, cat. no. 36, v: p.93.
  • Archer, W.G., Bazaar Paintings of Calcutta, Victoria & Albert Museum, H.M.S.O., 1955 p. 24, fig. 42
Collection
Accession number
IS.39-1952

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Record createdJanuary 7, 2003
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