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Drawing

  • Place of origin:

    Great Britain (made)

  • Date:

    mid 1770s (made)

  • Artist/Maker:

    Linnell, John, born 1729 - died 1796 (workshop of)

  • Materials and Techniques:

    Ink, pencil, yellow and green watercolour

  • Museum number:

    E.3483-1911

  • Gallery location:

    Prints & Drawings Study Room, level E, case W, shelf 1, box A

This design is part of a group of over 900 drawings of frames, mainly for pier glasses, overmantels, and girandoles. Many of these workshop designs share similar characteristics such as leaf scrolls and festoons of husks. Most of them are numbered, contain information about who ordered them, the date, the price (written in code), the colour of the frame and the dimensions of the finished object.

The drawings from John Linnell's workshop survive over the period 1773 to 1783. From April 1773 to August 1778, the workshop produced about twelve pieces a month. Production decreased over the next two years to 3 or 4 pieces a month. In 1783 these designs were no longer produced.

Robert Adam, a leading architect, was a key influence on the neoclassical designs of John Linnell. Linnell worked with Adam for the first time at Kedleston Hall, Derbyshire, and they worked together on a number of other occasions. In the early 1770s festoons of husks began to be used on pier glasses and they are very prominent within these workshop designs.

John Linnell (1729-1796) was the son of the famous furniture maker William Linnell (ca. 1703-1763). Unlike most furniture makers, John Linnell gained a design education at the St. Martin's Lane Academy, which was founded by William Hogarth in 1735. In 1750, aged 21, he joined his father's firm as a designer. On his father's death in 1763, John Linnell took over the family firm. During his lifetime John Linnell produced high quality furniture, which rivalled that of other leading furniture makers such as Thomas Chippendale, John Cobb and William Ince and John Mayhew.

Physical description

'100' A design for an oval frame with an urn finial. The frame features neoclassical moulding, husks and acanthus scrolls.

'No. 99' A design for an oval frame which hangs from a bow. The frame features neoclassical moulding, husks and acanthus scrolls and paterae.

'No. 98' A design for an oval frame with a large urn finial. The frame features neoclassical moulding, husks and paterae.

'No. 97' A design for an oval frame with a large urn finial sat on a large base. The frame features neoclassical moulding, husks and acanthus scrolls.

Place of Origin

Great Britain (made)

Date

mid 1770s (made)

Artist/maker

Linnell, John, born 1729 - died 1796 (workshop of)

Materials and Techniques

Ink, pencil, yellow and green watercolour

Marks and inscriptions

'100' 'Moulding in Front 1 3/4 2 frames Green & wt / Mr Worlidgen Septr 13th 1773'
Dimensions are given

'No. 99' 'Mr Spidel 36-26 in Repd wt / large oak Husk at sides'
Dimensions are given

'No. 98' 'Mr Spidell 28.20 / Mr Ozorio in Red & white'
Dimensions are given

'No. 97' 'Mr Brachstone 1-32-23 in Repd white aug 30th 177[?] / moulding 2 In broad'

Dimensions

Height: 54.5 cm mount, Width: 74.6 cm mount, Height: 31 cm design, Width: 46 cm design

Descriptive line

4 designs for frames; John Linnell.

Bibliographic References (Citation, Note/Abstract, NAL no)

Helena Hayward and Pat Kirkham,William and John Linnell; eighteenth century London furniture makers (London, ca. 1980).
Victoria and Albert Museum, Department of Engraving, Illustration and Design, Accessions 1911, London, Printed for His Majesty’s Stationery Office 1912

Materials

Pencil; Ink; Watercolour

Techniques

Drawing

Subjects depicted

Urn; Husks; Leaf scrolls; Paterae; Bow (carved)

Categories

Designs; Furniture

Collection

Prints, Drawings & Paintings Collection

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