Parvati and Ganesha
Painting
ca. 1830 (made)
ca. 1830 (made)
| Artist/Maker | |
| Place of origin |
Painting, in opaque watercolour and tin alloy on paper, the Hindu godess Parvati, shown with yellow flesh tones and silver detailed jewellery (executed in tin alloy) on her face, arms and neck, is nursing her elephant-headed son Ganesha in her arms.
Object details
| Categories | |
| Object type | |
| Title | Parvati and Ganesha (generic title) |
| Materials and techniques | Painted in watercolour and tin alloy on paper |
| Brief description | Painting, Parvati nursing Ganesha, opaque watercolour and tin alloy on paper, Kalighat, Kolkata, ca. 1830 |
| Physical description | Painting, in opaque watercolour and tin alloy on paper, the Hindu godess Parvati, shown with yellow flesh tones and silver detailed jewellery (executed in tin alloy) on her face, arms and neck, is nursing her elephant-headed son Ganesha in her arms. |
| Dimensions |
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| Content description | The Hindu goddess Parvati, shown with yellow flesh tones and silver detailed jewellery on her face, arms and neck, is nursing her elephant-headed son Ganesha in her arms. |
| Style | |
| Object history | Historical significance: Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century. |
| Subjects depicted | |
| Bibliographic reference | Archer, W ,G (1971) Kalighat Painting, London, HMSO, p44. |
| Collection | |
| Accession number | IS.194-1950 |
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| Record created | December 18, 2002 |
| Record URL |
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