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Opus 6

Print
1955-1956 (printed)
Artist/Maker
Place of origin

The Russian-born artist Naum Gabo (1890-1977) was a Constructivist sculptor, but his sculptures have a very linear quality, often composed of transparent glass and plastic with metal strips and nylon thread. Despite basic differences of intention between his printmaking and his sculpture, there are similarities too, in the use of curvilinear forms that appear to float in space. It is possible that Gabo may have used small pieces of plastic, cut for a model of a sculpture for the US Rubber Company Building, New York, 1956, as templates for this print. He never editioned his prints; there are 31 known impressions of Opus 6. He preferred to print his relief blocks by hand rather than on a press, thus encouraging accidental effects of tone and texture to occur.


Object details

Categories
Object type
TitleOpus 6 (assigned by artist)
Materials and techniques
Wood engraving and monotype, printed in blue on Japanese paper
Brief description
Print by Naum Gabo, 'Opus 6', wood engraving and monotype printed in blue, USA, 1955-56
Physical description
Wood engraving and montype printed in blue on Japanese paper. Abstract linear pattern of two intersecting swirling loops around a central oval loop.
Dimensions
  • Printed surface height: 38.5cm
  • Printed surface width: 33.3cm
  • Sheet height: 48cm
  • Sheet width: 39.5cm
Dimensions taken from Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990
Style
Marks and inscriptions
Gabo Op 6 (Signature and title; pencil)
Production
Attribution note: Gabo did not edition his prints. There are 31 known impression for 0pus 6 but each slightly different from the rest, due to hand printing which gives rise to accidental effects.
Subject depicted
Summary
The Russian-born artist Naum Gabo (1890-1977) was a Constructivist sculptor, but his sculptures have a very linear quality, often composed of transparent glass and plastic with metal strips and nylon thread. Despite basic differences of intention between his printmaking and his sculpture, there are similarities too, in the use of curvilinear forms that appear to float in space. It is possible that Gabo may have used small pieces of plastic, cut for a model of a sculpture for the US Rubber Company Building, New York, 1956, as templates for this print. He never editioned his prints; there are 31 known impressions of Opus 6. He preferred to print his relief blocks by hand rather than on a press, thus encouraging accidental effects of tone and texture to occur.
Bibliographic references
  • Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990
  • Williams, Graham ed. Naum Gabo: monoprints from engraved wood blocks and stencils. Biddenden, Kent: Florin Press for Kettle's Yard; Edinburgh: Cambridge & Talbot Rice Gallery, 1987. ISBN: 0906715156. pp. 15-21 and pp. 58-59
  • Nash, Steven A. and Jörn Merkert. Naum Gabo : sixty years of constructivism. Munich: Prestel Verlag, 1985. cat. no. 69
Collection
Accession number
E.3126-1990

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Record createdDecember 16, 2002
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