Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case MP, Shelf 237

Underground

Print
1951 (printed)
Artist/Maker
Place of origin

This print is significant for being one of the earliest examples of screenprint used as a fine art medium in Britain. Peter Lanyon (1918-1964) made it under the instruction of Warren Mackenzie (b. 1924), an artist and ceramicist from the USA, where the process was already in use for artists' prints. Lanyon's method of washing off the preliminary stencil colours with turpentine left the translucent stain that forms the background of this image. The title Underground refers to the mines and shafts, burial grounds and subterranean caves that Lanyon, as a Cornishman, was deeply aware formed another kind of space beneath the free and open surface of Cornwall's landscape in the remote southwest of Britain.


Object details

Categories
Object type
TitleUnderground (assigned by artist)
Materials and techniques
Colour screenprint on paper
Brief description
Colour screenprint entitled 'Underground' by Peter Lanyon. Great Britain, 1951.
Physical description
Colour screen print on paper: ochery- green ground, pale blue square outline in centre around two red ovals separated by blue line; over the red ovals black calligraphic lines.
Dimensions
  • Printed surface and sheet height: 27.6cm
  • Printed surface and sheet width: 27.9cm
Styles
Production typeLimited edition
Marks and inscriptions
  • Peter Lanyon 51 (Signature; date; ball point pen)
  • Peter Lanyon 1951 (on the reverse; pencil)
  • Underground Silk Screen (Maker's identification; on the reverse; pencil)
Production
This is one of the earliest examples of screen print used as a fine art process in Britain.

Attribution note: Only a very few impressions were pulled of this print
Summary
This print is significant for being one of the earliest examples of screenprint used as a fine art medium in Britain. Peter Lanyon (1918-1964) made it under the instruction of Warren Mackenzie (b. 1924), an artist and ceramicist from the USA, where the process was already in use for artists' prints. Lanyon's method of washing off the preliminary stencil colours with turpentine left the translucent stain that forms the background of this image. The title Underground refers to the mines and shafts, burial grounds and subterranean caves that Lanyon, as a Cornishman, was deeply aware formed another kind of space beneath the free and open surface of Cornwall's landscape in the remote southwest of Britain.
Collection
Accession number
CIRC.387-1960

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Record createdDecember 15, 2002
Record URL
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