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Request to view at the Prints & Drawings Study Room, level D , Case DR, Shelf 28

Harvest Corn

Print
1943 (printed)
Artist/Maker

Leon Underwood (1890-1975) was a painter, sculptor and printmaker. He was an influential teacher with a particular interest in life drawing and the human form. He also travelled widely and was particularly interested in African and South American sculpture and Paleolithic art. His interest in so called 'primitive' art, however, was rooted more in a sense of its popular appeal than its abstract formal qualities. His own work reflects this. The reclining figure here recalls Mexican sculpture, while the white outline used in many of his prints evokes the giant Romano-Celtic chalk figures still to be seen today on several hillsides in southern Britain.


Object details

Categories
Object type
TitleHarvest Corn (assigned by artist)
Materials and techniques
Colour lino-cut on paper
Brief description
'Harvest Corn' by Leon Underwood, colour linocut on paper, 1943
Physical description
Colour linocut on paper depicting a naked woman lying asleep in a landscape, with flowers in her hands, part of her body and hair the same colour as the cornfield behind her.
Dimensions
  • Printed surface (irregular) height: 45.7cm
  • Printed surface (irregular) width: 61.3cm
  • Sheet height: 55cm
  • Sheet width: 73.7cm
Style
Production typeLimited edition
Copy number
3/25
Marks and inscriptions
  • Leon U./43 (Signature; date; pencil)
  • Harvest Corn (picture title; pencil)
Credit line
Purchased under the terms of the A. M. Shrimpton and William Giles Bequest
Subjects depicted
Summary
Leon Underwood (1890-1975) was a painter, sculptor and printmaker. He was an influential teacher with a particular interest in life drawing and the human form. He also travelled widely and was particularly interested in African and South American sculpture and Paleolithic art. His interest in so called 'primitive' art, however, was rooted more in a sense of its popular appeal than its abstract formal qualities. His own work reflects this. The reclining figure here recalls Mexican sculpture, while the white outline used in many of his prints evokes the giant Romano-Celtic chalk figures still to be seen today on several hillsides in southern Britain.
Associated object
Bibliographic references
  • Timmers, Margaret (ed), Impressions of the Twentieth Century: Fine Art Prints from the V&A's Collection, London, V&A Publications, 2001
  • Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1943, London: HMSO, 1956.
Collection
Accession number
E.120-1943

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Record createdDecember 13, 2002
Record URL
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