Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case A, Shelf 143

Design

1849-1850 (made)
Artist/Maker
Place of origin

This design follows the preliminary one, but it is given in much more detail. It was executed substantially as shown though changes were made to the costumes of both Earl and Countess Somers, see E.1503-1912 and E.1504-1912. It survived unaltered in 1979.

This is one of several designs, by Pugin, for interior decoration and furniture made for Earl Somers by J.G. Crace in 1849 and 1850. Pugin received £20 for his work with J.G. Crace at Eastnor Castle. The work-table, octagon table, walnut book case and the chandelier were specially designed for the commission, but other pieces of furniture such as X-frame chairs seem to have been adapted by Crace from designs sent to him by Pugin in 1849 for his general use as a furniture maker.

Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.


Object details

Categories
Object type
Materials and techniques
Pen and ink over pencil, with later alterations in pencil
Brief description
Design for a chimney breast with a genealogical tree for Eastnor Castle; A.W.N. Pugin, 1849-1850.
Physical description
Pen and ink and pencil on paper
Dimensions
  • Height: 456mm
  • Width: 300mm
Style
Marks and inscriptions
‘Chimney Breast in Drawing Room / Eastnor Castle done for / Earl Somers’ (with many names added on the genealogical tree, some in Crace’s hand, some apparently in J. Hardman Powell’s hand, some in Pugin’s hand. Measurements are also given.)
Object history
This design follows the preliminary one, but it is given in much more detail. It was executed substantially as shown though changes were made to the costumes of both Earl and Countess Somers, see E.1503-1912 and E.1504-1912. It survived unaltered in 1979.
Place depicted
Summary
This design follows the preliminary one, but it is given in much more detail. It was executed substantially as shown though changes were made to the costumes of both Earl and Countess Somers, see E.1503-1912 and E.1504-1912. It survived unaltered in 1979.

This is one of several designs, by Pugin, for interior decoration and furniture made for Earl Somers by J.G. Crace in 1849 and 1850. Pugin received £20 for his work with J.G. Crace at Eastnor Castle. The work-table, octagon table, walnut book case and the chandelier were specially designed for the commission, but other pieces of furniture such as X-frame chairs seem to have been adapted by Crace from designs sent to him by Pugin in 1849 for his general use as a furniture maker.

Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
Bibliographic references
  • Alexandra Wedgwood, A.W.N. Pugin and the Pugin Family , London; V&A, 1985, pp. 192-194.
  • Taken from Victoria and Albert Museum, Department of Engraving, Illustration and Design, Accessions 1912, London, Printed for His Majesty’s Stationery Office 1913, p.108
Collection
Accession number
E.1502-1912

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Record createdJune 30, 2009
Record URL
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