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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 10

St Barbara

Statuette
ca. 1500 (made)
Artist/Maker
Place of origin

Here St Barbara is standing alongside the tower in which she was imprisoned by her father. Her head is now bare but she would originally have worn a crown or circlet. St Barbara was one of the most popular subjects with sculptors working in Malines (Mechelen, Belgium), and about 15 statuettes of her are known. In the late Middle Ages people thought that St Barbara would offer protection from dying before receiving Holy Communion. Statues of her were therefore particularly suited to hospitals and homes. She was also the patron saint of groups such as artillerymen (harquebusiers) and sailors who were at risk of sudden death.


Object details

Categories
Object type
TitleSt Barbara (generic title)
Materials and techniques
Carved walnut, painted and gilded
Brief description
Statuette, St Barbara, carved, painted and gilded walnut, Mechelen, ca. 1500
Physical description
St Barbara is shown standing, alongside her attribute of the tower, which is painted with simulated bricks. She holds a book in her left hand, painted with lines of pseudo-text. She has long, gilded hair, and the top of her head is carved to have accommodated a crown or circlet which is now lost, though the end of wire embedded in her head is visible. She wears a gown and mantle. Originally the gown was red, and the mantle gold, but much of the polychromy and guilding has been lost. The saint has also lost her right hand, and the front of the bottom edge has been sliced away. The top of the tower is also damaged.
Dimensions
  • Height: 29.6cm
  • Width: 11cm
  • Depth: 6.5cm
  • Weight: 0.64kg
Measured for the Medieval and Renaissance Galleries 2005
Credit line
Bequeathed by Mr W. B. Chamberlin
Object history
Bequeathed by Mr W B Chamberlin, Hove, Sussex, in 1937.
Historical context
Figures of St Barbara were very popular products of the Malines carvers. About fifteen statuettes survive. This figure is very similar to several other examples, showing how the workshops churned out such products to meet popular demand. A particularly similar example is in the Musées royaux d'Art et d'Histoire, Brussels (see Williamson 2002), with an identical colour scheme for the saint's dress, the same head and hair type, cut away to take a crown and a very similar castle and book arrangement.
Stylistically there is more similarity to Brussels work of the late 15th century than to later Malines production, placing this figure relatively early in the date range, probably around 1500.
St Barbara was thought to offer protection from dying without the last rites (a serious concern of many in the later Middle Ages). For this reason, she was often chosen as the patron saint of confraternities whose members had dangerous professions (eg artillerymen and sailors).
Subjects depicted
Summary
Here St Barbara is standing alongside the tower in which she was imprisoned by her father. Her head is now bare but she would originally have worn a crown or circlet. St Barbara was one of the most popular subjects with sculptors working in Malines (Mechelen, Belgium), and about 15 statuettes of her are known. In the late Middle Ages people thought that St Barbara would offer protection from dying before receiving Holy Communion. Statues of her were therefore particularly suited to hospitals and homes. She was also the patron saint of groups such as artillerymen (harquebusiers) and sailors who were at risk of sudden death.
Bibliographic references
  • Williamson, Paul, Netherlandish Sculpture 1450-1550, London: Victoria and Albert Museum, 2002. 160p., ill. ISBN 1851773738.
  • Comte J de Borchgrave d'Altena, 'Statuettes malinoises', Bulletin des Musées royaux d'Art et d'Histoire, XXXI, 1959, p.61, fig.54.
  • W. Godenne, 'Préliminaires à l'inventaire général des statuettes d'orgine malinoise présumées des XVe et XVIe siècles', Handelingen van de Koninklijke Kring voor Oudheidkunde, Letteren en Kunst van Mechelen (Bulletin du Cercle Archéologique, Littéraire et Artistique de Malines), 1959, cat. no. LXXIII, p.31-33
Collection
Accession number
A.107-1937

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Record createdDecember 11, 2002
Record URL
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