Not currently on display at the V&A

Mother and Child

Statue
ca. 1936 (carved)
Artist/Maker
Place of origin

Although this is not a religious piece, it recalls the stylised images of the Virgin and Child found in Byzantine and medieval art. Turner modelled works to be cast in bronze as well as carving many different types of stone. Here, the smooth surfaces of the figures make a deliberate contrast with the rough block on which they sit.

Alfred Turner trained at the South London Technical Art School under W. S. Frith (1850-1924) and worked for a time as assistant to Harry Bates (1850-1899). In 1895 he entered the Royal Academy Schools. Spielmann described Turner as a 'highly successful student of the Lambeth and Royal Academy schools, who has also studied abroad ... [and is] among the most promising of the youngest generation of sculptors now before the public'. This work is based on a smaller group exhibited by Turner at the Royal Academy in 1934 (Mus. no. 1591).

Turner, who taught at the Central School of Arts and Crafts, London, was a frequent exhibitor at the Royal Academy between 1905 and 1937. He was elected an Associate of the Royal Academy in 1922, and became a Royal Academician in 1931. His diploma work, Dreams of Youth, is in the Royal Academy's permanent collection. His daughter Winifred was a successful sculptor in her own right. Her bronze figure of a Crouching Youth is also in the Museum's collections (Mus. no. A.12-1981). The Ashmolean Museum, Oxford, held a joint exhibition of work by father and daughter in 1988.


Object details

Categories
Object type
TitleMother and Child (assigned by artist)
Materials and techniques
Limestone (portland stone)
Brief description
Statue, limestone, Mother and Child, by Alfred Turner (1874-1940), England, ca. 1936
Physical description
The mother is shown hieratically, dressed in a simple classicising robe, seated with bent arms, her forearms raised. She gestures with her hands, her left hand pointing upwards as if requesting silence. The naked child sits upright, resting asleep against the mother's left arm.
Dimensions
  • Height: 103cm (incl base)
  • At base width: 35.5cm
  • At base depth: 43.5cm
Gallery label
Although this is not a religious piece, it recalls the stylised images of the Virgin and Child found in Byzantine and medieval art. Turner modelled works to be cast in bronze as well as carving many different types of stone. Here, the smooth surfaces of the figures make a deliberate contrast with the rough block on which they sit.(March 2007)
Credit line
Given by Miss Jessica Turner, daughter of the sculptor
Object history
Given together with Mus. no. A.12-1981 by the artist's daughter Miss Jessica Turner, London, in 1981.
Subject depicted
Summary
Although this is not a religious piece, it recalls the stylised images of the Virgin and Child found in Byzantine and medieval art. Turner modelled works to be cast in bronze as well as carving many different types of stone. Here, the smooth surfaces of the figures make a deliberate contrast with the rough block on which they sit.

Alfred Turner trained at the South London Technical Art School under W. S. Frith (1850-1924) and worked for a time as assistant to Harry Bates (1850-1899). In 1895 he entered the Royal Academy Schools. Spielmann described Turner as a 'highly successful student of the Lambeth and Royal Academy schools, who has also studied abroad ... [and is] among the most promising of the youngest generation of sculptors now before the public'. This work is based on a smaller group exhibited by Turner at the Royal Academy in 1934 (Mus. no. 1591).

Turner, who taught at the Central School of Arts and Crafts, London, was a frequent exhibitor at the Royal Academy between 1905 and 1937. He was elected an Associate of the Royal Academy in 1922, and became a Royal Academician in 1931. His diploma work, Dreams of Youth, is in the Royal Academy's permanent collection. His daughter Winifred was a successful sculptor in her own right. Her bronze figure of a Crouching Youth is also in the Museum's collections (Mus. no. A.12-1981). The Ashmolean Museum, Oxford, held a joint exhibition of work by father and daughter in 1988.
Bibliographic references
  • Bilbey, Diane with Trusted, Marjorie, British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum, London, 2002, p. 469, cat. no. 761
  • Penny, Nicholas, ‘The Turner Sculpture Gift’, in: NACF Review, 1989, p. 136
Collection
Accession number
A.11-1981

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Record createdDecember 10, 2002
Record URL
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