Le Livre de Bijouterie
Metalwork Design
mid-16th century (engraved), 1600 (published)
mid-16th century (engraved), 1600 (published)
Artist/Maker | |
Place of origin |
This engraving belongs to a series of twenty prints, all showing designs for goldsmiths and jewellers. They were engraved by René Boyvin, a French artist of the 16th century, after models by Rosso Fiorentino or more probably by his aid, Léonard Thiry. The ornament prints of this period are numerous; prints allowed the models to be more widespread so goldsmiths and jewellers everywhere could have access to the latest designs. This series, though dating from the middle of the 16th century, was published by Paul de la Houve, who worked in Paris in 1600. This shows the long-lasting success of this kind of engravings. This print forms a portion of a larger plate bearing, in its entirety, three designs for étuis. One of this design is also kept in the Victoria & Albert Museum; the other one is missing. This series, though dating from the middle of the 16th century, was published by Paul de la Houve, who worked in Paris in 1600. This shows the long-lasting success of this kind of engraving.
Object details
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Materials and techniques | Engraving on paper |
Brief description | René Boyvin after Rosso Fiorentino or Léonard Thiry. Design for an étuis from a suite of 20 plates entitled Le Livre de Bijouterie . Mid-16th century, published by Paul de la Houve, Paris, 1600. |
Physical description | Engraving. Design for an étuis covered with gems, pearls and little masks, along with two amorinis on its base. A portion of a larger plate bearing three designs for étuis (see 2569-1913). One of a series of twenty prints from Le Livre de Bijouterie. Engraved by René Boyvin after Rosso Fiorentino or Léonard Thiry, mid-16th century. Published by Paul de la Houve, Paris, 1600. |
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Style | |
Historical context | This engraving is one of a series of twenty prints showing designs for goldsmiths and jewellers. They were engraved by René Boyvin, a French artist of the 16th century, after models by Rosso Fiorentino or more probably by his assistant, Léonard Thiry. The ornament prints of this period are numerous; prints facilitated the dissemination of designs so goldsmiths and jewellers everywhere could have access to the latest versions. This series, though dating from the middle of the 16th century, was published by Paul de la Houve, who worked in Paris in 1600. This shows the long-lasting popularity of this kind of engraving. This print forms a portion of a larger plate bearing, in its entirety, three designs for étuis. One of this design is also kept in the Victoria & Albert Museum (see 2569-1913); the other one is missing. |
Subjects depicted | |
Places depicted | |
Summary | This engraving belongs to a series of twenty prints, all showing designs for goldsmiths and jewellers. They were engraved by René Boyvin, a French artist of the 16th century, after models by Rosso Fiorentino or more probably by his aid, Léonard Thiry. The ornament prints of this period are numerous; prints allowed the models to be more widespread so goldsmiths and jewellers everywhere could have access to the latest designs. This series, though dating from the middle of the 16th century, was published by Paul de la Houve, who worked in Paris in 1600. This shows the long-lasting success of this kind of engravings. This print forms a portion of a larger plate bearing, in its entirety, three designs for étuis. One of this design is also kept in the Victoria & Albert Museum; the other one is missing. This series, though dating from the middle of the 16th century, was published by Paul de la Houve, who worked in Paris in 1600. This shows the long-lasting success of this kind of engraving. |
Associated objects | |
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Collection | |
Accession number | E.2570-1913 |
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Record created | June 30, 2009 |
Record URL |
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