Not currently on display at the V&A

St John the Evangelist

Sculpture
ca. 1520 (made)
Artist/Maker
Place of origin

This figure is clearly St John the Evangelist. The beardless face, long curling hair and general posture are typical features of this particular saint. He would once have held either a book or chalice (cup) in his covered left hand. The sculptor made the right hand separately and joined it to the figure's forearm with a dowel. It was probably extended, palm open, in a blessing gesture.
This figure was probably made for an apostelbalk or rood-beam that supports the rood or cross in a church. The apostelbalk includes a figure of Christ as the saviour of the world at the centre and with the twelve apostles to each side. It is possible that this figure once stood to the right of a Crucifixion, with the Virgin on the left. Although such figures are often shown looking up towards the crucified Christ, this is not always the case.


Object details

Categories
Object type
TitleSt John the Evangelist (generic title)
Materials and techniques
Carved oak, with traces of gesso
Brief description
Sculpture, St John the Evangelist, oak, East Netherlandish (Limburg) or Lower Rhenish (Kleve), ca. 1520
Physical description
Figure of St John from a Crucifixion group.
Dimensions
  • Height: 69.5cm
  • Width: 23.5cm
  • Depth: 17cm
Credit line
Acquired with funds from the Capt. H. B. Murray Bequest.
Object history
Acquired by Sir Arthur Evans at an unrecorded date from the vicar of St. Mary and St. Andrew, Mildenhall, Suffolk; collection of Dame Joan Evans; collection of Professor George Zarnecki, London; bought from Zarnecki in 1990 for £5,000, with the assistance of funds from the Bequest of Captain H.B. Murray.
Subjects depicted
Association
Summary
This figure is clearly St John the Evangelist. The beardless face, long curling hair and general posture are typical features of this particular saint. He would once have held either a book or chalice (cup) in his covered left hand. The sculptor made the right hand separately and joined it to the figure's forearm with a dowel. It was probably extended, palm open, in a blessing gesture.
This figure was probably made for an apostelbalk or rood-beam that supports the rood or cross in a church. The apostelbalk includes a figure of Christ as the saviour of the world at the centre and with the twelve apostles to each side. It is possible that this figure once stood to the right of a Crucifixion, with the Virgin on the left. Although such figures are often shown looking up towards the crucified Christ, this is not always the case.
Bibliographic references
  • Williamson, Paul, Netherlandish Sculpture 1450-1550, London: Victoria and Albert Museum, 2002, pp. 56-7; cat.no. 10.
  • Williamson, Paul, "Acquisition of Sculpture at the Victoria & Albert Museum, 1986-1991", in: Burlington Magazine, Dec. 1991, p. 878
  • Williamson, Paul. 'A figure of Saint John the Evangelist in the Victoria & Albert Museum, London', in: Laat-gotische beeldsnigkunst wit Linburg en guensland, 2. Handelingeis van net symposium, Sint-Truiden, 1992, pp. 67-71
  • Peters, Famke, ed. by, A Masterly Hand: Interdisciplinary Reserach on the Late-Medieval Sculptor(s) Master Elsloo in an International Perspective: Proceedings of the Conference Held at the Royal Institute for Cultural Heritage in Brussels 20-21 October 2011, Brussels, Royal Institute for Cultural Heritage, 2013, Scientia Arts 9, p. 35, fig. 1.28
  • Davies Glyn and Townsend, Eleanor, ed. by A Reservoir of Ideas: Essays in Honour of Paul Williamson, London, Paul Holberton Publishing in assoc with V&A Publishing, 2017, pp.11-12, fig. 1
Collection
Accession number
A.1-1990

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Record createdDecember 5, 2002
Record URL
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