The Three Graces distressing Cupid thumbnail 1
The Three Graces distressing Cupid thumbnail 2
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images
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

This object consists of 2 parts, some of which may be located elsewhere.

The Three Graces distressing Cupid

Figure Group
late 18th century (made)
Artist/Maker
Place of origin

The composition for this figure group was taken from a print. This was common practice with many of the more ambitious British porcelain figure models. Here the print was Etiam Amor Criminibus Plectitur ('Even Cupid is not alien to crime'). This engraving of 1777 by William Wynne Ryland reproduced a design by the painter Angelica Kauffmann. Ryland's engravings are listed in an inventory of prints owned by the Derby porcelain factory in 1791.
The Derby factory made two versions of this subject. The first was issued around 1782 and is a very skilful adaptation of a two-dimensional drawing to a three-dimensional figure. This second version is a much less skilful reworking of the subject. Derby's unglazed porcelain figure groups were advertised in 1773 as being 'particularly suited for the Embellishment of Desserts'.


Object details

Category
Object type
Parts
This object consists of 2 parts.

  • Group
  • Fragment
TitleThe Three Graces distressing Cupid (generic title)
Materials and techniques
Biscuit soft-paste porcelain, press-moulded, with smear-glaze and 'patch marks'
Dimensions
  • Height: 36.5cm
Credit line
Given by Mrs James, in memory of her son, George Brooksbank-James FRCS
Subjects depicted
Summary
The composition for this figure group was taken from a print. This was common practice with many of the more ambitious British porcelain figure models. Here the print was Etiam Amor Criminibus Plectitur ('Even Cupid is not alien to crime'). This engraving of 1777 by William Wynne Ryland reproduced a design by the painter Angelica Kauffmann. Ryland's engravings are listed in an inventory of prints owned by the Derby porcelain factory in 1791.
The Derby factory made two versions of this subject. The first was issued around 1782 and is a very skilful adaptation of a two-dimensional drawing to a three-dimensional figure. This second version is a much less skilful reworking of the subject. Derby's unglazed porcelain figure groups were advertised in 1773 as being 'particularly suited for the Embellishment of Desserts'.
Bibliographic references
  • Young, Hilary. English Porcelain, 1745-95. London: Victoria and Albert Museum, 1999. 229p., ill. ISBN 1851772820.
  • Pietsch, Ulrich, and Theresa Witting, Fascination of Fragility: Masterpieces of European Porcelain, Leipzig: E.A. Semann, 2010.
Collection
Accession number
C.59:1, 2-1924

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Record createdDecember 2, 2002
Record URL
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