Automobile Head thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case MP, Shelf 141

Automobile Head

Print
1957 (printed)
Artist/Maker
Place of origin

Paolozzi (born 1924) is a significant British artist, whose major contribution has been as a printmaker and sculptor. This image is an early experiment with screenprint, a medium that became central to his work. He and other artists working in the 1960s used it as a primary artist's medium, raising its status to equal that of painting and sculpture. Both his sculpture and printmaking in the early 1950s frequently reflected the idea of man as machine.


Object details

Categories
Object type
TitleAutomobile Head (popular title)
Materials and techniques
Screenprint on paper, with pink wash added by hand
Brief description
'Automobile Head', screenprint with pink wash by Eduardo Paolozzi, 1957.
Physical description
Abstract head comprising of a range of machine parts. Print on paper with pink wash.
Dimensions
  • Drawn and printed surface height: 49.6cm
  • Drawn and printed surface width: 31.5cm
  • Sheet height: 55.7cm
  • Sheet width: 38.1cm
Style
Production typeProof
Marks and inscriptions
  • Eduardo Paolozzi (1) Signature; black ink, hand drawn; 1957)
  • Eduardo Paolozzi (1) Signature; printed within the image; 1954)
Production
Paolozzi made an impression from a screen bearing this image in 1954 with the date as part of the print, but he subsequently reprinted it adding the pink wash in 1957, hence the two dates on this impression; a third version was produced in 1958 for which he soaked screen with turpentine, causing the image to blur.
Subjects depicted
Summary
Paolozzi (born 1924) is a significant British artist, whose major contribution has been as a printmaker and sculptor. This image is an early experiment with screenprint, a medium that became central to his work. He and other artists working in the 1960s used it as a primary artist's medium, raising its status to equal that of painting and sculpture. Both his sculpture and printmaking in the early 1950s frequently reflected the idea of man as machine.
Associated object
CIRC.231-1959 (Impression)
Bibliographic references
  • Timmers, Margaret (ed), Impressions of the Twentieth Century: Fine Art Prints from the V&A's Collection, London, V&A Publications, 2001
  • Taken from Departmental Circulation Register 1959
  • Kirkpatrick, Diane, Eduardo Paolozzi, 1970. p.29, illus.
  • Miles, Rosemary, The complete prints of Eduardo Paolozzi, V.A.M., 1977 pp15-16, illus.
  • Berlin, Kupferstich Kabinett Eduardo Paolozzi, 1975
  • Arts Council, Great Britain Eduaro Paolozzi, 1976
  • V.A.M The Complete Prints of Eduaro Paolozzi, 1977
Collection
Accession number
CIRC.230-1959

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Record createdNovember 29, 2002
Record URL
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