The Flagellation
Panel
late 14th century (made)
late 14th century (made)
Artist/Maker | |
Place of origin |
This weathered panel is one of the earliest images showing the flagellation to survive. It is one of several in the collection which appear to come from the same workshop, including A.61-1926, The Resurrection.
The panel shows Christ, in full face in the centre of the panel standing behind a column, between two torturers. His head is inclined to the left and his hands andre bound in front of the column by a cord (broken) held in the hand of the torturer to the right. The upper part of the figures are marked with deep scratches in X formations which do not appear to be original to the carving.
The panel shows Christ, in full face in the centre of the panel standing behind a column, between two torturers. His head is inclined to the left and his hands andre bound in front of the column by a cord (broken) held in the hand of the torturer to the right. The upper part of the figures are marked with deep scratches in X formations which do not appear to be original to the carving.
Object details
Categories | |
Object type | |
Title | The Flagellation (generic title) |
Materials and techniques | Carved alabaster |
Brief description | Panel, alabaster, The Flagellation, English, late 14th century. |
Physical description | The bearded figure of Christ is shown full-face in the centre of the panel. Wearing a loincloth, he stands behind a column, between two torturers. His head is inclined to the left, his hands bound in front of the column with a cord (broken) held in the left hand of the torturer on the right. Only one of Christ's legs is shown on the carving. Each torturer wears a close-fitting cap, a doublet, long pointed shoes and a low-slung belt from which a sword hangs; they hold scourges above their heads, the figure on the left holding his scourge in both hands. The 14th-century date of the panel is evident from its carefully chamfered edges, the round faces of the figures and the simple design. The upper parts of the figures are marked with deep scratches in 'X' formations which do not appear to be original to the carving. The right-hand bottom corner of the panel is missing; the left-hand bottom corner is damaged. The panel is cracked and greatly weathered, which is particularly evident on the faces of the three figues. The alabaster at the bottom of the panel shows some iron staining. No paint remains on the panel. There are four holes in the back of the panel, three lead-filled to secure latten strips for attachment. There is a thick layer of mortar over the surviving lower corner extending in a narrow strip near the edge almost to the top of the panel. |
Dimensions |
|
Style | |
Credit line | Given by Dr W. L. Hildburgh FSA |
Object history | On loan from Dr W.L. Hildburgh since 1931. Given by Dr Hildburgh in 1946. Historical significance: This is one of the earliest panels of this subject to survive. |
Subjects depicted | |
Summary | This weathered panel is one of the earliest images showing the flagellation to survive. It is one of several in the collection which appear to come from the same workshop, including A.61-1926, The Resurrection. The panel shows Christ, in full face in the centre of the panel standing behind a column, between two torturers. His head is inclined to the left and his hands andre bound in front of the column by a cord (broken) held in the hand of the torturer to the right. The upper part of the figures are marked with deep scratches in X formations which do not appear to be original to the carving. |
Associated object | |
Bibliographic reference | Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 234 (cat. 161), ill. ISBN 0-7148-8014-0 |
Collection | |
Accession number | A.180-1946 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | November 27, 2002 |
Record URL |
Download as: JSONIIIF Manifest